خلاصة:
Leila Gholampour Ahangarkolayi[1] Shahin Ojaq Alizade[2] Analysis of the Mandala Symbol in Attarchr(chr('39')39chr('39'))s Manteq Al-Tair from Jungchr(chr('39')39chr('39'))s Psychological Perspective abstract: The mandala is one of the most ancient human symbols and represents the origin of creation Which is based on the order between the unity of opposites (matter and spirituality). Since the footprint of the mandala symbol is evident in the structure and final conclusion of Manteq Al-Tair, This article intends to examine the similarities between the symbol in Attarchr(chr('39')39chr('39'))s Manteq Al-Tair and Jungchr(chr('39')39chr('39'))s psychology. According to the results, seekers in Manteq Al-Tair are looking for the previously forgotten order, ie the unity of spirituality and matter in the center of the universe (Mount Qaf). For Jung, the symbolism of mandalas is important in two ways; (1) Restoring the former order (comparable to the unity of matter and spirituality or the unity of thirty chickens and ostriches in the bird area) and (2) The purpose of its creator is to shape something new and unique that did not exist before(Creative and symbolic embodiment of thirty chickens with Simorgh to show the forgotten order, ie the unity of matter and spirituality in Manteq Al-Tair) both of which are interdependent. For Jung Mandala, it is a symbol of perfection, not perfection, and it occurs in only a few people; as in Manteq Al-Tair, only thirty of the thousands of chickens reached to Completeness, not perfection. Keywords: Completeness; Attar; Perfection; Mandala; Manteq Al-Tair. [1]PhD Graduated of Persian language and literature, Islamic Azad University, Roudehen Branch, Tehran, Iran (Corresponding Author) St.l_gholampour@riau.ac.ir [2] Assistant Professor of Persian Language and Literature, Islamic Azad University, Roudehen Branch, Tehran, Iran. alizade@riau.ac.ir
ملخص الجهاز:
Analysis of the Mandala Symbol in Attar's Manطق al-Tayr From the Perspective of Jungian Psychology Shahin Owjagh Alizadeh * / Leila Gholampour Ahangarkolaei ** The mandala is one of the oldest human symbols and expresses the origin of creation, which has been formed based on the order between the unity of opposites (matter and mind).
From Jung's view, the mandala is a symbol of becoming whole, and it appears in only a few individuals; just as in Manطق al-Tayr, only the thirty birds reached wholeness out of thousands of birds, not perfection (annihilation in the Divine Essence).
Since the trace of the mandala concept in Attar's Manطق al-Tayr is seen in the description of the origin of creation (the combination of the dual aspects of soul and body) and the birds are also in search of the forgotten order of primordial creation (unity of matter and mind = mandala) and the recovery of the mental archetype as their forgotten half (wholeness of self = balance of body and soul), which in the language of birds is interpreted as the former "proportion" is, therefore, this research aims to show the similarities between the aforementioned concept in Jungian psychology and Manطق al-Tayr from the perspective of archetypes.
(132) In Mantiq al-Tayr as well, an assembly formed in this same direction, consisting of all the birds of the world; because in verse 687, words such as: head to head (all = every human) and seeker of the King (= tendency toward the center) confirm that all had a tendency toward their own specific center to create order; a center that is connected to paradise, to the navel of the earth, and to the mountain, and all the aforementioned cases are symbols of the mandala.
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