خلاصة:
There are many characters such as Zahed, Sufi, Old Magi and etc, in Hafez poems. The social identity of these chraracters is reppesented in Hafez poems from his point of view. The question of the present study is: what is the social identities of sufi and old magi in Hafez poems and which one of these two characters is foregrounded and is considered as the dominan and accepted character and which one is backgrounded and is considered as non – dominant and rejected one. Theoritical framework is based on Laclau and Mouffe discourse theory and discourse semiotic approach by Soltani (2014). According to the pattern of discourse semiotics approch and by analyzing the value signifiers related to "Old Magi" and "Sufi", and by analyzing their signifieds, it is concluded that the Sufi’s identity is a set of negative attributes and Hafez, via the assignment of these negative signifieds to Sufi, has backgranded the Sufi’s character and has considered him as a negative and non-dominant character. On the other hand, by attributing positive signifies to Old Magi, he has foregrounded the identity of the Old Magi and has considered him as a positive or dominant character.
ملخص الجهاز:
Representation of the Identity of "Pir-e Moghan" and "Sufi" in the Divan of Ghazals Hafez with a Discourse Semiotics Approach and Laclau and Mouffe's Discourse Theory Mitra Davoudi 1 Mohammad Javad Hejazi 2 Seyyed Ali Asghar Soltani 3 Abstract In Hafez's poetry, many characters such as the ascetic, the Sufi, the muhtasib, the Pir-e Moghan, etc.
The question of the present research is to discover how Hafez's poetry attributes an identity to the Sufi and the Pir-e Moghan, and in the opposition of the identities of these two characters, which one is highlighted and considered the self-identity, and which one is marginalized and considered the non-self identity.
The aim of this research is to analyze the identity of the Pir-e Moghan and the Sufi in Hafez's poetry and thought based on linguistic perspectives.
" To this end, in order to identify the positive pole or the pole of "us" and the negative pole or the pole of "them" between the two characters of Pir-e Moghan and Sufi in Hafez's poetry, the processes of highlighting and marginalization are utilized.
The main issue of this research is to discover how Hafez's poetry attributes an identity to the characters of the Sufi and the Pir-e Moghan, and in the opposition of these two, which one becomes highlighted and considered the self-identity, and which one is marginalized and considered the non-self identity.
In this research, based on the discursive semiotics method (Soltani, 2014), two key signs or identifying signifiers in the Divan of Hafez, namely "Pir-e Moghan" and "Sufi," are examined.
In this research, the identity of two key characters, Pir-e Moghan and Sufi, in Hafez's ghazals are examined.
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