خلاصة:
Each and every poet or writer, uses a certain method to express what they have in mind which varies from that of any other poet or writer. Also, male and female writers, each in their own particular way, have been under the influence of the social factors of their own era, their behavioral traits and beliefs, qualities which led to a special style of their own. In this study an attempt has been undertaken to answer the following question: Do female writers possess a different and particular style in their writing or not? To answer to this question, an analysis on five stories by Qazal Alizade, added to five stories by Mostafa Mastur has been done based on Sarah Mills' theoretical framework. Based on the outcomes of this study, a conclusion must be reached that as a female writer, Qazal Alizade, exhibits a feminine style by using a high frequency of words related to the female domain, more tendency to apply emotional figures, more use of ambiguous figures, a tendency for writing with a simple style and also an inclination for breaking the grammatical structures and incomplete sentences, shows a feminine style. Contrary to that, although Mastur has focused on the condition of women, his style cannot be counted as that of feminine. Hence, this research confirms that feminist style and linguistic characteristics of this style in women writers are meaningfully obvious and differ from male writers.
ملخص الجهاز:
Feminine Style in the Short Stories of Ghazaleh Alizadeh and Mostafa Mastoor Hossein Razavian 1, Neda Zare 2 , Article Information Abstract Every poet or writer uses a specific method to express what is in their mind that is: different from others.
This article, using a descriptive-analytical method, attempts to answer the question based on Sara Mills' theoretical framework: how male and female writers possess different styles in Persian short stories.
The results showed that Alizadeh, as a female writer, possesses a feminine style through the use of a high frequency of vocabulary related to the female domain, a greater tendency to use emotional forms, color words, ambiguous forms, a tendency toward simple writing, and also a tendency toward structures that violate grammatical rules and incomplete sentences.
The present article, by adopting Mills' theoretical framework and by extracting and analyzing the elements that Mills has mentioned as feminine elements, attempts to examine the feminine style in Persian short stories in the works of two writers, one female and one male—Ghazaleh Alizadeh and Mostafa Mastoor.
Mills believes: "Female writers use different linguistic options in the structure and content of their works regarding feminine characteristics, emotions, feelings, and women's perspectives, which in stylistic analysis must be carried out at three levels: analysis based on words, analysis based on sentences, and analysis based on discourse.
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