خلاصة:
The aim of the present study is to compare Inferno in Dante’s Divine Comedy with Salvador Dali’s selected paintings. The researchers seek to find differences, similarities, reflections of Freud’s psychoanalytic theories, and analyzed the symbols and signs in Dali’s paintings. Inferno in Dante’s Divine Comedy consists of thirty-four cantos from which the current study has selected images that illustrate the differences, similarities, psychoanalytic theories of Freud, and symbols in Dali’s paintings. The present research is analytical-comparative study which has used the American school of comparative literature in analyzing the above examples. In this study, the researchers have used Freud’s theories as a research method. The corpuses of the current study are Dante’s Inferno and Dali’s adaptive paintings. This study has chosen the Inferno because this Comedy inspired Dante in the form of dream, in other words, it is the product of the unconscious mind. On the other hand, Dali’s Paintings have been analyzed because he was a surrealist painter who portrayed dreams and the unconscious in his works. In this comparative study of Dali’s paintings of Dante’s Inferno, Dali mostly focused on human’s unconscious and psychosexual symbols.
ملخص الجهاز:
A Psychoanalytic Study of Psychosexual Signs in Dali's Adaptational Paintings of Dante's Divine Comedy Maryam Tarighatbin 1 MA in English Translation, Islamic Azad University, Roudehen Branch Seyyed Shahabuddin Sadati 2 Assistant Professor of English Language and Literature, Islamic Azad University, Roudehen / Head of World Literature Department at the Center for Applied Linguistics Research Abstract In the present research, the aim of the psychoanalytic study of psychosexual signs in Salvador Dali's adaptational paintings of Dante's Divine Comedy is to find differences, similarities, the reflection of Sigmund Freud's psychoanalytic theories, and the analysis of symbols and signs in Dali's paintings.
Inferno in Dante's Divine Comedy consists of thirty-four cantos, from which the present research has selected images that demonstrate differences, similarities, Freud's psychoanalytic theories, and symbols in Dali's paintings.
In René Wellek In the present research, we have utilized Freud's psychoanalytic approach in the comparative study of Dante's Divine Comedy and Salvador Dali's paintings.
Psychosexual Symbols in Dali's Comparative Paintings of Dante's Inferno In this section, the researcher has analyzed four cantos of Dante's Inferno based on Freud's psychoanalytic theories.
In the next stage, the researcher has revealed the reflection of Freud's psychoanalytic theories and psychosexual symbols in Dali's comparative paintings of Dante's Inferno and has linked the descriptions related to each circle with Dali's paintings.
The paranoid images in this painting indicate Dali's deep influence by Freud's theories of the unconscious and its attainment of the latent and paranoid desires of the human mind, such as the unconscious fear of death which is referred to in this painting (Persistence of Memory, n.
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