خلاصة:
Nizami can be considered one of the prominent figures of symbolism in Persian literature, especially in the field of fictional literature. The feedback of this skill is displayed in the most beautiful way possible in his artistic masterpiece, Haft Peykar. In Haft Peykar, Nizami has a mystical and philosophical view of stories; to demonstrate this perspective, he utilizes the architecture of domes, adorns girls with colors similar to the domes, and links all of these to the planets. All these stories, through a hierarchical connection with colors, arrangement, and specific palace architecture, provide a visual and verbal representation for the reader. However, behind this outward, verbal, and mystical beauty lies a depth that only those with insight and mystics are capable of understanding. Accordingly, the goal of this research is set to investigate the reasons for choosing this color and this story for Monday through a content analysis of the third story {Monday}, and to open a way toward a better understanding of Haft Peykar beyond individuals.
ملخص الجهاز:
In Haft Peykar, Nezami has a mystical and philosophical view of stories; to demonstrate this perspective, he utilizes the architecture of domes, adorns the girls with colors similar to the domes, and connects all of these to the planets.
Accordingly, the goal of this research is set to investigate the reasons for choosing this color and this story for Monday through a content analysis of the third story {Monday}, and to open a way toward a better understanding of Haft Peykar beyond individuals.
Keywords: Haft Peykar, green color, Nezami, human, moon Introduction Nezami should be considered a storyteller among the poets of the sixth century, although storytelling existed before him; however, the peak of evolution and brilliance of lyrical storytelling is found only in Nezami's works.
This tale shows Bahram's life story and his encounter with the hidden and deep layers of the story, as well as the journey Bahram takes within himself, in colorful and nocturnal feasts and banquets; and it is after the end of these banquets that he attains the philosopher's stone and, in the terminology of mystics, reaches the existential truth of annihilation (fana).
Bahram's journey to the palace of Khuranaq: In Nezami's Haft Peykar, the color green is dedicated to the green dome, Monday, and the planet Moon.
A human reaches a point where they see nothing but God. Nizami, by putting together the day, the moon, and the color, was pursuing a goal; the choice of Monday or the day of the moon for the tale of Bashar the ascetic, in the eyes of mystics, is a romantic spiritual journey to reach the true existence.
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