خلاصة:
This article, by addressing the cultural achievements of Dr. Seyed Mehdi Gharavi, is a kind of commemoration and honouring of his scientific position. He has been one of the contemporary historians of the subcontinent, his biography and achievements have been less studied so far. In his resume, his direction of the Persian Research Centre in Pakistan and his sustainable actions in this Centre, are noteworthy. In this article, his resume and works are briefly described. The field of his researches, which includes Shahnameh studies as well as researches on various painting styles, of Iranian and subcontinent scholars in the field of art in Iran and the subcontinent, is introduced. Also in this essay, some of his most prominent research views are pointed out and their key points are outlined. The article concludes that Gharavi's research ideas can inspire new ideas for those interested in today's research in the field of history and civilization of the subcontinent, as well as his scientific conduct and discipline in his knowledge-based management and professional work ethic should be considered as a role model for his peers
ملخص الجهاز:
N. Marshal 1974 AD) (See: Noshahi, Works, Vol. 2/1495); The First Record of the Iran and Pakistan Persian Research Center (Islamabad, 1357 SH / 1979 AD); Farīdūn Bīg Gurjī's Manifesto, authored by Farīdūn Bīg Gurjī, corrected and with an introduction by Mehdi Gharavi (Rawalpindi, 1984 AD) (Noshahi, ibid.
, Vol. 1/288); Catalogue of Persian Manuscripts in Bombay, Library of the Kama Institute, Mankji's Collection (Bombay, 1364 SH / 1986 AD); Masnavi of Khamosh Khatun, by Ra'di, corrected and edited by Mehdi Gharavi (Islamabad, 1375 SH); The Tomb in the Cultural Sphere of Iran (Tehran, 1376 SH); White Simurgh (a collection of articles, "A Deep Look into the Continuity of Iranian Culture through the Study of Ferdowsi's Shahnameh and its Patterns and Motifs in the Past Thousand Years"), (Tehran, 1385).
In the article "The White Simurgh (6)", issue number 186 of the Art and People magazine, Gharavi introduces the importance of Central Asia, the eastern regions of Greater Khorasan, in this way: that this land is the meeting point and connection of the national mythical-legendary heroes of ancient Iran, and in terms of the growth and expansion of Manichaean painting, its brilliance is compared to the light-scattering of the sun, and he continues to say that research and investigations show that some paintings and carvings even date back to the eras before the formation of the Shahnameh.
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