خلاصة:
Literature is a reflection of the specific form of life and culture of each society and is one of the most challenging issues that humans have always faced. The issue is women. How women are seen and how women want to be seen, or how they represent themselves, has been a serious and almost unsolvable issue. The present research was conducted with the aim of examining the representation of women in contemporary Iranian fiction. The results showed that the representation of women by men in the works they have created always provides an incomplete image of women. Sometimes a woman is a praiseworthy and ethereal face, and sometimes she is a scoundrel whose body is corrupting. Now, in recent decades, women have obtained the opportunity to be full-fledged illustrators of themselves in their fictional works; and to show a complete and human image of themselves.
ملخص الجهاز:
In literature 574 our fiction, women writers play an important role, and they have been able to fully put the issues and problems of the Iranian women's class to the test with their specific feminine emotions.
This research gives us the opportunity to gain an understanding of the female world and their social life by examining the diverse texts produced by Iranian women writers throughout different decades.
With a brief (selective) look at novels and stories where women and related subjects are the main focus, we approach the world of women's presence and the roles they have played in fictional literature.
There are other works, such as the novels of Sadegh Chubak, that address the problems of women, but they are usually in the form of "sigh-eh" (concubines) and "rafigh-eh" (companions); and until the time of the revolution, it was still men who wrote about prostitutes, mostly from the perspective of the male consumer.
Whether male writers have come close to women's emotions and the reality of women's lives in characterizing the women in their stories is a separate discussion; but undoubtedly, if until yesterday the woman in Hedayat's story, Zarrin Kolah, was searching for her lost man, or the women in Chubak's stories were bound by lust with that deep naturalistic gaze and lived in poverty and corruption, the women of today's stories, their fictional world, and their outlook on their desires and ultimately on themselves have become very different and have acquired a new identity.
2. When women write about themselves The presence of women as writers in the field of fictional literature has created a new opportunity to understand the feminine world.
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