خلاصة:
“The Year of the Riot” is a novel based on the Stream of Consciousness that does not have a Regular Chronological Order, and a Reader Needs to Gather the Information that is Scattered in the Story in Order to Complete the events. In the Present study, Using Gerard Genette's Theory, the Narrative time of the Novel and its Relationship with the Element of "Suspension" was Investigated. The Results Show that a Retrospective Quality is often Used to Describe Past events and their Causal Relationship, and Futurism and Futurism has also led to Suspense in the Story. Due to the Use of Multiple Sub-Stories and Descriptive delay, the Speed of the Story Comes to be Negative. Sub-Stories in the Novel Studied in this Research have Functions such as Allegory, Ambiguity in Time and Place, and the creation of a Stream of Consciousness. The Descriptions in the Text of the Story are Applied to Characterize and Describe a Specific Time and Place. In Regard to Frequency, it can be Said that the most Frequent is “the smell of soil” that the Narrator Mentions Throughout the Novel.
ملخص الجهاز:
'Narrative Time' and its relationship with the element of 'suspense' in the novel Year of Blame Written by Abbas Maroufi based on Gerard Genette's theory Master of Persian Language and Literature, Mahabad Branch, Islamic Azad University Nasreddin Abdollahzadeh Mahabad, Iran Mohammad Amir Obeydi Nia, Associate Professor, Department of Persian Language and Literature, Urmia University, Urmia, Iran Abstract Year of Blame is a novel based on the stream of consciousness that does not have a regular temporal order, and the reader needs to collect information scattered throughout the story to complete the events.
Order and Sequence The first subject of interest for Genette in narration is "the method of presenting the temporal order of events and actions, for example, in a novel (fabula 1 according to formalists) in objective stories (syuzhet 2).
In this type of flashback, the story time is outside and prior to the original narrative time (which Genette calls "first narration")" (Lothe 1, 2007); if the retrospection is about a character, an event, or the main plotline of the narration, it is named primary, and otherwise, it is named secondary.
) The second incident, which is the present time of the story, begins when Masoom, in the "Kippur" tavern, realizes that Hasina the potter was "in love" with Noosh Afarin (ibid.
Subplots In this novel, in addition to the main narrative (Nush Afarin's love for Hossein and her eventual end with Masoom), there are several subplots, some of which appear in fragments throughout the narration of multiple nights.