خلاصة:
. Lack of recording and documenting in many historical periods of Iranian music is a challenge that leads to the inability to make use of past experiences due to lack of awareness of temporal and spatial requirements and their confrontation with these issues and ultimately lack of progress. The flow of music and its occurrence become vicious. It is perhaps the least popular subject in Yazd for artists and researchers in the field of music. Yazd's traditional music as part of Yazd's musical life and an integral part of Yazd's culture and art, created and performed by artists who, through various concerns and exposure to different opportunities and threats, As the day progresses and arranges new experiences for the city and its inhabitants in the face of traditional music. I present songs and ballads in a number of researches in Yazd's Culture Quarterly for everyone to use. Of the professors and the dead
ملخص الجهاز:
Therefore, the collection of research conducted over the past several years regarding the music of the city of Yazd has taken into account the collection of an archive of photos, songs, and compositions, the result of which will be made available to enthusiasts through publication in the Yazd Culture Quarterly, so that through this way, on one hand, there is the revival and permanence of traditional instruments, and on the other hand, the mention of the names and memory of deceased masters and artists.
(refer to the page image) Photo 2- Method of holding the Arbouneh 2- Left hand: A) The side of the Am of the Arbouneh (where the skin is attached to the Am) should be placed approximately on the second joint of fingers "1, 2, 3 and 4", meaning "index, middle, ring, and little finger" of the left hand, without the prominences of the first joint of the four mentioned fingers touching the skin (according to photo number 3).
(Photo number 6) (refer to the page image) Photo 6- Method of playing the Arbouneh In the Arbouneh, strokes that are performed rapidly and freely with the fingers of both hands alternately are called "riz," and it is performed in several ways: 1- With the help of the fingers of both hands alternately, which is often performed in the middle area and sometimes on the edge.
(Photo number 11) (refer to the page image) Photo 11- Method of playing the Arbouneh Sometimes this can be done with the help of finger number 2; meaning fingers 2 and 3 land together in the edge area.
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