خلاصة:
Phenomenology is one of the outstanding theories in contemporary literary criticism so literary criticism followers of reader-response theory have based all their theories on it. Husserl's theory، belongs to eminent phenomenologist Husserl، is mainly based on existing phenomenon in the world that are only meaningful from observers' point of view and man's mind is the origin of all conceptions. The only way of understanding symbols and their meanings is an evidenced-view. Base of Husserl's phenomenological aspect is new point of view over the phenomena in order to reach the essence of objects that in the case sense understanding with phenomena deserves special importance. This conception، will lead to flowing semantic and universe-based one. This approach، for analysis method is efficient. Phenomenological analysis of Persian literature works can open new horizons to the analysis of Persian poetry and brings a new reading of them. Sepehri، as the poet and the owner of influencing style، explains his intuitive scenarios، and possesses a new and unusual look at the findings which deserves him to be considered as an intuitive poet. Sepehri's look at the universe is an "Emerging and Revelation" look. Sepehri retells his interpretation of naturally objective existence of events and gives them their semi logically impressive structure. This paper in a descriptive and analytical way and in interactive communication with phenomenological view and semio- semantics، offers a sample of his poems and evaluates and shows a new discourse in Sepehri's poems. In the light of the new look، the article presents a new interpretation of his poems.
ملخص الجهاز:
This philosophy, through phenomenological reduction (lacigolonemonehp noitcuder), brings the knowledge gained from previous understandings under the whip of criticism and reduces phenomena to their simplest meaning, so that in a meaningful interpretation, it expands them within the general perception of everyone's mental image and, by traversing deeper layers of concepts, reflects the transcendental meaning of the "phenomenon" (nemonehP) in human consciousness.
361) The elements and pillars of the phenomenological structure of this poem can be described as follows: a) The poet himself or the individual subject: "I" (ogE); b) Others or the collective subject remaining in nothingness: "not me" (nosreP rehtO); c) The second collective subject, the poet's audience (we); d) The awakening of the second collective subject from negligence and separation from "Behind the Land of Nothingness" and reaching the universal subject: the connection loop of common sense; e) The revealing of the unknown roots of the world and the ontocentric manifestation of the world: the subject or object of cognition and perception; f) The transformation of the "we" present in Sepahri's self-consciousness into a kind of "all-together-ness," union with "Behind the Land of Nothingness," and immersion in solitude: common understanding.
In this poem, Sepahri first, with a deconstructive gaze, suspends the world of "nothingness" and, with a phenomenological gaze and intuitive perception, undertakes a new reading of it; by introducing the valuable place of "Behind the Land of Nothingness," he calls his audience to its transcendent source so that, in a common understanding, he may guide those trapped in nothingness to union with "Behind the Land of Nothingness" and the truth of solitude.
(
, 
, 
)
