Characterization from the perspective of Alfred Adler مقالة

ملخص الجهاز:

The summary of the matter was that Adler attributed authenticity to the character and encouraged the actor toward "self-denial" and avoiding the presentation of their individual characteristics on stage, whereas Strasberg, conversely, considered the "self" to be the reservoir of creative creation and the source of character embodiment. Even a person who is irresponsible in real life and never shows up on time for their appointments can play the role of an organized and punctual character. " Although one of the main duties of the director is to help the actor create a living character, Adler, considering the special characteristics of professional theater, wanted us to increase our ability for character building. Because he believed that the way to understand a character is first possible through the recognition of the type, and the final result of the actor's work must be the fruit of his dual external and internal gaze upon a type. Adler's question was: 'Do actors like Laurence Olivier, who is an extrovert, and Marlon Brando, who seems to be an introvert, have similar theories regarding the appearance and essence of a character?' The character's stance toward their situation in the action they are performing will be revealed. For example, if the text says he is an attractive person, he must do something so that this attractiveness is seen objectively in the character; meaning, perform an action that captivates others. Adler used to say: "Williams wanted his characters to appear completely external and social.