خلاصة:
As the former of the structure of story، language is significantly important in the structural analysis. Based on this viewpoint، language structure and the way it is used، as well as the connection between the aesthetics and ultra-linguistics are specifying its type in relation with the general concept of the literary work. Also the epic language، as the basic foundation of these texts، prospers structural potentialities like word usability، syntactic of utterance، and useful intonation proper with the epical atmosphere and feelings in different levels such as vocal، semantical، etc. In oral literature، along with having stories from a simple and pure language، presence of rhapsodists and elocutionists and their interference and distort together with new elements ingression in the form of “Scrolls” compilation have increased more and more the use of epical language capacities linked to the main context of scrolls. The “Haft Lashkar” (the Seven Corps) is also one of the Rhapsodists’ Comprehensive Scrolls (RCS) during the Qajarid era of which the time of writing goes back to the year 1292 (Lunar Hijri) (almost 1871 A.D.)، and it is originally the name of one of the famous rhapsodic battle-narrations، which was applied to one of the RCSs due to its fame.
ملخص الجهاز:
104 Therefore, language, or in other words, linguistic and semiotic elements and the manner of their application, plays a decisive role in identifying the type of language and shaping the structure of the narrative work; to the extent that it can be said, "In a story, speech, or rather let us say language, speaks, and that is all" (Barthes, quoted in Akhvat: 185).
(376 :1390 105 Although some of the Naqqal's oral techniques are not mentioned in the scrolls during performance, the resulting tone and atmosphere, the specific manner of expression, the selection of appropriate words and phrases, and the combination and syntax of sentences, demonstrate the art of the Naqqal and his familiarity with the capacity and power of language to harmonize with the work.
This scroll, which contains most of the epic and mythological stories of ancient Iran and is fused with the themes of Iranian folk tales, in its important and voluminous section, deals with the battles and struggles of the lineage of Rostam, Barzu, Faramarz, and their sons 106 two, Tamur and Jahanbakhsh, with the name of Haft Lashkar II, is the most constructed and refined work of the Naqqals of recent centuries.
Although the precedence of the conjunct, due to the grammatical structure of prose—unlike poetry—does not have much capacity for implementation, as is also evident in the mentioned examples, the precedence of a non-inflected part from other elements of the sentence (such as "reaching for the sharp blade" compared to "reaching for the blade with a hand") has made the epic tone and rhythm tangible by creating emphasis and an inter-sentence pause, and by utilizing the rising intonation of speech through auxiliary verbs.
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