Abstract:
تتجلّی مقومات الابداع الفنیّ بالمواهب المتفرّدة والقدرات الخاصة التی توهل الشاعر الفذ لبلوغ الابداع الشعریّ المتمثل بتنظیم الافکار , وتولید الدلالات باشکال فریدة, لذلک یعدّ الابداع رویة الشاعر لظاهرة ما بصورة جدیدة تتطلب القدرة علی الاحساس بوجود رویا مغایرة للواقع المالوف، تکون له تلک القدرة الابداعیّة الخلاّقة فی شعره .وعن طریق البحث سلطت الضوء علی حیاة الشاعر ادریس بن الیمان ومنزلته الادبیّة , وکان البحث فی محورین, کان الاول : روافد الصورة فی شعر ادریس بن الیمان , واستلهامه لصور التراث وتوظیفها فی شعره , فضلا عن استلهام الصورة من وحی الطبیعة وما تلقیه من اثر فی النفس.
وجاء المحور الثانی لرصد صور الابداع وتشکیلاتها البلاغیة , ثم الخاتمة واهم ماتوصل الیه البحث , فضلا عن هوامش البحث , وقائمة بالمصادر والمراجع المعتمدة فیه, وملخّص باللغة الانجلیزیة .
The Andalusian poetry reveals, as a color of artistic creativity, the talent of the Andalusian poet and his extraordinary ability to employ and invest the elements of creativity. This talent had been utilized to serve the poet’s aesthetic goals and to achieve artistic proficiency in his poetry. As we saw, the most poetic evidence in the poetry of Idris Bin Al-Yaman had a great impact on the disclosure of many of the technical images and fragments that indicate the ability of the tools of his poetic art in the formulation of his literary works. The artistic image is an active pillar of the literary works of art, and the first means that our poet used to draw the features of his creative experience and to crystallize what his imagination had dictated and formulated in a special rhetorical manner.
The current research constitutes a preface, which presents insights on the life of the poet Idris Bin Al-Yaman and his literary status besides two sections: The first section contains: the tributaries of the image in the poetry of Idris Bin Al-Yaman, and it comes in two parts: the first is about the inspiration of the heritage in his poetry; while the second part is about the inspiration of images inspired by nature and their impact on the self. The second section is dedicated to monitor the images of creativity and its rhetorical formations. At the end, there is a conclusion and the main findings of the research, as well as, footnotes, a bibliography of references and finally, summary in English.