چکیده:
شمايل هاي ديني، نوعي بيان تصويري و روشي براي بازنمايي مفاهيم و معاني دروني دين است. هنرمند درك خود از امور فرامادي و نامتناهي را در قالب تجربيات محسوس و قابل درك باز نمايي مي كند؛ بدين معنا هنر به وسيلۀ تجسم تصويري و نمادين، راهي به ژرفناي بُعد معرفت شناختي دين مي گشايد تا از طريق تفسير و تأويل، درك امور قدسي را ممكن سازد. اين نمادهاي مصور در طول تاريخ موجب شكل گيري اسطوره ها شده اند. اين مقاله با روشي توصيفي و تحليلي و تحليل محتوا درصدد است شمايل نگاري مسيحي در روسيۀ قرن پانزدهم ميلادي را از جهت نقش مايه هاي نمادين موجود در آن، كه سابقۀ تاريخي آن به اساطير پيشين بازمي گردد، در مقايسه اي تطبيقي با نگارگري بازديد پيامبر اسلام از دوزخ در قرن نهم هجري در ايران را بررسي كرده، و وجوه اشتراك و افتراق و تأثير و تأثر آنها بر يكديگر را مورد واكاوي قرار دهد. نتايج حاصله از اين پژوهش، بيانگر اين است كه بر اساس پيوند هميشگي اسطوره با تصاوير نمادين با كاركردهاي اخلاقي و معرفتي، شمايل هاي دوزخي در هر دو فرهنگ اسلامي و مسيحي را مي توان نوعي تصوير اسطوره اي قلمداد كرد كه نظريۀ نقش مايه هاي آيكونوگرافيك، مي تواند در آشكارگي زيرساخت هاي محتوايي و شكلي آنها نقش مؤثري داشته باشد.
Religious icons are considered as a way of visual expression and an intrareligious representation of concepts and meanings. The artist represents his perception of incorporeal and infinite affairs in the form of tangible and palpable experiences; meaning that through visual and iconic imagination، art opens a pathway to the depth of religious cognition so that through interpretation it makes it possible to understand the sacred. All through history these visual icons have led to the formation of myths. Using a descriptive-analytic method and by the use of content analysis this paper seeks to analyze the Christian iconography of the 15th century (AD) in Russia form the aspect of its symbolic motifs. These symbols have a history that dates back to ancient mythology. And in a comparative study of the painting of the prophet`s visit from hell in 9th century AD the similarities and differences and their effect on each other have been analyzed. The findings show that based on the permanent relationship between myths and iconic images and ethical epistemological functions، we can assume the hell icons in both Islamic and Christian culture as a kind of mythic image. The theory of iconographic motifs can have a pivotal role in the appearance of the content and form of their infrastructures.
خلاصه ماشینی:
"Table of Contents Interaction with Foreigners from the Viewpoint of the Hebrew Holy Book, the Talmud and the Holy Quran / Azam Sadat Shabani / Soheila Jalali / Leila Hushangi 7 Shia and Catholic Sacred Acts, Rites and Symbols Scope of Practice; Similarities and Differences / Hossein Arbabi / Mohammad Fouladi 25 A Critical Analysis of Pachomius School in the Eastern Christian Monasticism / Seyyed Morteza Mirtabar/ Ahmad Reza Meftah 47 Analyzing Moral Weakness from the Point of View of Augustine and Thomas Aquinas; Using Islamic Doctrines / Mahdi Alizadeh 65 A Comparison of Jewish Religious Life during their Dispersal in Canaan since the First Temple Period until the Destruction of the Second Temple / Hassan Safaei 85 A Study into the Role of Work and Agriculture in Ardavirafnameh from the Viewpoint of Otherworldly Reward and Punishment / Ebrahim Raigani / Seyyed Mahdi Mosavi Kohpar 101 An Investigation into the Reality of Death in Zoroastrianism / Seyyed Mohammad Hajati Shurki / Seyyed Akbar Hosseini Ghale Bahman 115 A Study into the Motifs of the Otherworldly Myths / Sarvenaz Parishanzadeh / Abolghasem Dadvar/ Maryam Hosseini 133 In the Name of Allah Proprietor: Imam Khomeini Educational and Research Institute Manager: Sayyid Akbar Husseini Editior in Chief: Mohammad Ali Shomali Coordinator&Page Setup: Mohammad Ilaghi Hoseini Editorial Board: ( Sosan Alerasoul: Associate professor، of Karaj Islamic Azad University ( Aliarshad Riyahi: Associate professor، Esfahan University ( Ahmadhusein Sharifi: Associate professor، IKI."