چکیده:
This paper aims to identify the influence of cross-cultural communications on the formation and development of the miniature of School of Isfahan. The main findings of this paper explain and describe the method of foreignization and the influence of cultural changes on the emergence of this method. In other words, in the process of developing foreign relations during the reign of the Safavids, and by the entrance of European artists to Iran and the familiarity of Iranian artists with Western painting styles, a new course of events happens in the Persian miniature as foreignization affected by the aesthetic methods and techniques of non-Iranian painting. The results of this study have shown that crosscultural communication has deeply influenced the emergence of new artistic and non-Iranian practices in different ways including economic, political and cultural relations. And therefore foreignization for us is a dynamic aesthetic system. That’s why we have explained and illustrated the course of events related to the foreignization of artworks analysis of this period with descriptions and analysis by using applied research methods.
خلاصه ماشینی:
7 The Scientific Journal of NAZAR research center (Nrc) for Art, Architecture & Urbanism Foreignization in the miniature of School of Isfahan /37-44 Preface Regarding the history of Persian miniature, its historical changes, its different schools and also its unique artists, it has some features that makes us look into it with newer approaches.
In this paper, while the theoretical foundations of intercultural communication are outlined, the process of impressionability of Persian artists from Western paintings in the Safavid era are discussed with the analysis of an example of the school of Isfahan paintings that had a profound influence on the course of visual arts, especially in Iran.
Based on the theoretical basics of this paper, we The Scientific Journal of NAZAR research center (Nrc) for Art, Architecture & Urbanism 39 Foreignization in the miniature of School of Isfahan /37-44 find that the influence of intercultural relations have been involved on the formation of artistic themes, techniques and aesthetic aspects.
In case of the subject of this paper also the refinement and adoption important aesthetic components of the art of Western nations in The Scientific Journal of NAZAR research center (Nrc) for Art, Architecture & Urbanism 43 Foreignization in the miniature of School of Isfahan /37-44 the dynamic process of accepting and rejecting and localizing them can be seen very well in the new methods of Iranian painting and miniature of the Safavid era.