چکیده:
The article describes the new tendencies of the interpretations of W. A. Mozart’s music. It
describes the development of the genre during XVIII century in general and during Mozart’s life in
particular, and explains the appearance of different performing traditions, relations, and
compromises between historically-oriented and “academic” ways of performing. The interpretation
of classical or romantic works turns often to the decoding the author’s intention, since there are
usually no evidences of the “correct” version – no audio recordings, and the most detailed treatise
still describes something which is impossible to describe. If the problem of ornamentation is at
least presented in written in the literature and tables, the point of tempo or timing stays very
subjective. Thus the interpretation of the music of Mozart is a difficult problem for the performer
and for the musicologist. The article consists of examples and descriptions of various ways of
performance and comparison between "authentic" and "modern" interpretations. Special attention
turns timing and articulation as specific ways of historically-oriented style of playing.
خلاصه ماشینی:
org International Journal of Applied Arts Studies IJAPAS 4(2) (2019) 13–18 Characteristics of Historically-Informed Performance of the Mozart Sonatas for Violin and Piano Olena Zhukovaa* aAssistant Professor of Chamber Music, Department of the national Music, Academy of Ukraine, Ukraine Received 13 August 2019; revised 23 August 2019; accepted 20 September 2019 Abstract The article describes the new tendencies of the interpretations of W.
Keywords: Mozart; Classicism; Chamber Music; Historically-Informed Performance; Timing; Articulation 1.
The works of Mozart, which existed in the musical practice of his time, can hardly be understood without knowledge of its traditions – the conditions of musical practice, the ideas about the genres and principles of composition, features of performance and publishing business.
However, most of the duets playing and recording Mozart’s sonatas for clavier and violin, more-less (sometimes quite significantly), are “confessed” by historically informed performance (HIP), which requires the deep knowledge in the theory and the performance practice of the XVIII century.
Of course, the modern musician can choose any approach to the performance of Mozart sonatas, but a historically adequate view to the composer’s works in general and in particular could in many respects contribute to the creation of the most correct performing idea.
However, in the modern performing practice the more flexible approach is possible, using the instruments of a later times, but with historically accurate following the tempo, dynamic, agogical practices of the Mozart era.