چکیده:
This work presents an important investigation of design basics and the golden proportional model
in Persian painted pottery motifs (late fifth-early fourth millennium B.C.) and presents a
comparison among Persian, Egyptian and Grecian fundamental design basics. Generally, Persian,
Egyptian and Grecian pottery motif designs have some similarities and dissimilarities in their
design basics. It can be concluded that the employed elements are nearly the same for all the
investigated civilizations. The techniques used to achieve the principles in Persian studied designs
have been understood to be either design of Egyptian painted motif like or Grecian motif design
like. The used golden proportional models were found to have distinctive variations for the
different civilizations. Persian has a higher degree of diversity in golden proportional models
compared resulting in more well performed/pleasant designs.
خلاصه ماشینی:
International Journal of Applied Arts Studies IJAPAS 5(2) (2020) 29–40 (View the image of this page) Visual Design Principles of Ancient Art Mahsa Behnooda* a Assistant Professor, Department of Art, Faculty of Engineering, Golestan University, Gorgan, Iran Received 09 May 2020; revised 24 May 2020; accepted 28 June 2020 Abstract This work presents an important investigation of design basics and the golden proportional model in Persian painted pottery motifs (late fifth-early fourth millennium B.
Since ancient times, the principle of the proportion has been employed (Green, 1995) such as in the Sumerian arts, in Egyptian great Pyramid (Burton, 1985; Gardner, 1957; Westren Turnbull, 1956), Greek vases, pottery of Chinese and Cretan (in French) and Mycenaean (in Greek) products of the late Bronze Age (3100-2200 B.
Phidias is aware of the aesthetics of the golden proportion in constructing the Parthenon and occurrence of the golden ratio in the Parthenon is frequently reported (Browne, 1989; Bergamini, 1963; Hill, 1990; Hude, 1974; Manuel and Santiago, 1988) (Pappas, 1989; Mitchell, 1977).
In spite of that, has not been paid an attempt on recognizing of design basics and the golden-based model on Persian painted pottery motifs derived from Neolithic and Early Bronze ages (ca.
The objectives of this study are; Understanding how ancient Persian designers achieved design basics; Making clear the position of the art of ancient Persia in the history of golden ratio; and Recognizing the similarities among Persian, Egyptian and Grecian fundamental design basics.