خلاصه ماشینی:
Introduction What is examined in this article is the method of selection and composition on the 'paradigmatic axis' and 'syntagmatic axis' in the poetry of the contemporary Persian poet 'Shamloo', and the Arabic poet 'Nizar Qabbani' from a linguistic point of view.
In Shamloo poems including the performance of figures of speech such as irony, metaphor and simile with a tendency towards rational parties on the paradigmatic axis in proportion to the characteristics of referring to private issues of life, intense attention to social and political issues, ambiguity, similes and new metaphors, emphasize the use and importance of the symbol, and the creation of new relationships between the sensible and the rational, and in Qabbani's poems the performance of these figures of speech in proportion to the characteristics of contemporary Arabic poetry such as the variety of rhetorical methods, exaggeration in the use of imagination and style, to take refuge in the symbol in the structure of the ode is to hide the meaning, complexity and ambiguity.
com investigates the manifestation of Impressionism in the poems of Sohrab Sepehri and Paul Verlain through the descriptive- analytical method, and tries to reveal the difference between the points of views of the two poets toward the world, the art, and the Impressionism school, as well as toward the characteristics such as defamiliarization, living the moment, playing with colors and light, unfinished pictures, using light colors, relating modernity to the nature, etc.