چکیده:
As one of the arts of creating space as well as a tool for audiovisual representation, cinema can
convey the intended concept and content by the built space. It has been tried in this study to
analyze Ali Hatami’s Cinema to build space with identity for Iranian users. The research approach
is qualitative and methodology is based on deductive reasoning with moving from theory to
analysis on case study. The librarian studies have been used at the process of extraction of
theoretical basis of reasoning and Love-stricken movie has been analyzed in this process using
analytical-descriptive method. Results show that architectural language used in Hatami’s Cinema
could be assumed including the following elements: The presence in open space of yard at houses
and gardens, sitting on ground floor and highlighting Persian carpets in the plans, focusing on
outlook inside rooms toward garden and linking among built space and natural atmosphere,
presence of water pool and walking of characters beside water pools in Persian Garden, dark spaces
that show spatial depth of traditional architecture, written language and literature and poetic-like
expression, existing Persian music in scenario as well as contextual music may stimulate auditory
perception of audience.
خلاصه ماشینی:
org International Journal of Applied Arts Studies IJAPAS 6(1) (2021) 17-32 Metaphorical Semiotics of the Elements of Creating Atmosphere of Persian Traditional Spaces in Ali Hatami's Cinema (Case Study: Love-Stricken Film) Ali Akbaria*, Syyede Zahra Asli Eramsadatib, Roxana Abdollahic aAssistant Professor of Architecture, Yadegar-e-Imam Khomeini (RAH), Shahre Rey Branch, Islamic Azad University, Tehran, Iran bMaster of Interior Architecture, Faculty of Engineering, Pardis Branch, Islamic Azad University, Tehran, Iran cAssistant Professor of Architecture, Technical and Engineering Faculty, Qom Branch, Islamic Azad University, Tehran, Iran Received 11 March 2021; revised 27 May 2021; accepted 09 August 2021 Abstract As one of the arts of creating space as well as a tool for audiovisual representation, cinema can convey the intended concept and content by the built space.
Results show that architectural language used in Hatami's Cinema could be assumed including the following elements: The presence in open space of yard at houses and gardens, sitting on ground floor and highlighting Persian carpets in the plans, focusing on outlook inside rooms toward garden and linking among built space and natural atmosphere, presence of water pool and walking of characters beside water pools in Persian Garden, dark spaces that show spatial depth of traditional architecture, written language and literature and poetic-like expression, existing Persian music in scenario as well as contextual music may stimulate auditory perception of audience.
The main subject of this study is to present applied strategies in creating that quality in Iranian contemporary architecture by analyzing the way of presence and quality of elements of spatial sign and their metaphorical concepts in Iranians' lived experience as one of designing factors and creation of place (Akbari & Niroomand Shishavan, 2018) in Ali Hatami's cinema.