چکیده:
In Hegel's view art is not just an artistic creation. Art is an introduction to liberation. Today, Hegel's philosophy is a substitute for many challenging issues, and also an obsolete for past points, Hegel interprets works of art with key elements of his philosophy such as "absolute", "freedom" and "consciousness." Hegel divides the history of the transformation of art into three periods of symbolic, classical, and romanticism. But Hegel also mentions classical architecture and romantic architecture, which in fact transforms architecture into an artistic service which come from other types and are not considered independent. This paper examines art and architecture in Hegelian thought and explains the types of art and architecture and their meanings in the eyes of this philosopher. Absolutely undergoes three steps in the process of self-consciousness-art, religion, and philosophy. Art, as the first step of this Trinity, brings absolute liberty directly into the sensible thing. This is a logical necessity and opens the way for ultimate self-awareness of the soul. Hence, epistemic beauty is worthwhile. This view towards beauty or a beautiful issue is an epistemological phenomenon and unmatched in the history of philosophy. The beauty of value is equal to consciousness. Or at least as a prerequisite for knowledge.
خلاصه ماشینی:
The aesthetic word, unlike its root (In the work of Bauer Garton and also Kant, the meaning of possible or impossible science to the affirmation) is, in Hegel's view, a beautiful philosophy, and beauty is no longer a mental judgment, but an idea that is in reality and there are real and historical artworks.
(Copelston 1367: 7, 176) The goal and the end result is the process of becoming, absolute consciousness and his awareness of his freedom, and this self-consciousness will ultimately be achieved in the third stage of the process, when the absolute consciousness of itself in the consciousness of the sovereign spirits (= human beings) He comes to the fore and this consciousness has three forms in history: art, religion, and philosophy.
From Hegel's point of view, the consciousness of the latter (the work of art) is better and more expressive, "because the artistic beauty is created by the mediator of the soul" (Copelston, 1367: 7, 229).
Accordingly, the work of art is absolute form to Hegel, and although absolute from in Hegel's point of view is not entirely transcendental to the material nature, but its absolute in principle the spirit, not matter, that is, in principle, free and conscious, not forced or lack of consciousness: to prove The freedom of the soul one must show that the soul is free and inanimate in relation to what is inert, inferior, and non-life itself; that is, the inorganic three-dimensional material drawn by the force of gravity toward the earth.