خلاصه ماشینی:
"Analysis and Comparative Study of Attar’s "Manteqo-Teir" and Hugo’s "Centuries Legend" Zeinab Moshtaqi Abstract The Iranian and French nations found their intimacies towards each other since the seventieth century.
Victor Hugo is the first French author to use such concepts regarding the Iranian mysticism in writing his epical masterpiece; 1387 ﻓﺼﻠﻨﺎﻣﻪ ﭘﮋوﻫﺸﻬﺎیادﺑﻲ ﺳﺎل5، ﺷﻤﺎره91، ﺑﻬﺎر "La Legende des Siecles".
Genette used these two different terms for point of view, in which the first one relates to the act in which verbal transfer of story takes place by the storyteller, ( narrator in literature) while the second one refers to the focus through which the narration is observed from these aspects; setting ( place –time) , psychologically and ideologically.
Genette believes that in every narrative work two 159 distinct aspects of point of view might be manifested through one single person or be transferred simultaneously through a few narrators 1387 ﻓﺼﻠﻨﺎﻣﻪ ﭘﮋوﻫﺸﻬﺎیادﺑﻲ ﺳﺎل5، ﺷﻤﺎره91، ﺑﻬﺎر and observers.
Therefore, Nietzsche suggests that the art of tragedy, as Ancient Greeks’ first artistic creation, is the outcome of two contrasting Apollonius and Dionysus elements and bases his 1387 ﻓﺼﻠﻨﺎﻣﻪ ﭘﮋوﻫﺸﻬﺎیادﺑﻲ ﺳﺎل5، ﺷﻤﺎره91، ﺑﻬﺎر philosophy of art and aesthetics on them.
The Dionysus element is present in some of Hafez’ sonnets where he points to man’s relation to the world, the chaos of the time, the unreliability and lack of safety in worldly affairs, and the Apollonius element is seen where Hafez discusses man’s relation with God, seeking shelter in love, mystics and trickery."