Machine summary:
Throughout the history of the literature of various lands and nations, works have been attributed to famous poets and writers for various reasons, including political prejudices and religious Purposes, or similarities in form or theme that either really belonged to other poets and writers or have been works whose authors have been unknown; Attar ē Neyshaburi is one of the poets whose works have been mixed with those of poets of later periods, that have been written in a high degree of weakness in terms of form and structure and poetic language, and also differ from Attar’s definite poems in terms of their content.
Discussion Pandnameh differs dramatically from the point of view of three stylistic aspects, namely structure, language, and content, with the four definite mystical poems of Attar, Asrarnameh, Elahinameh, Manteqotteyr and Mosibatnameh.
In the present paper, the authors, by studying the available manuscripts of Aghraz Al-Seyasah Fi A'araz Al-Reyasah, particularly the newly-discovered manuscript in the library of Khangah-e Ahmadi (Shiraz) and referring to other works written by Zahiri Samarghandi (including Sandbad nameh and Ghorrat–al-Alfaz) and Divans of the other poets, have tried to analyze and correct some distortions and falsification errors in the published text of Aghraz Al-Seyasah.
Introduction Aghraz Al-Seyasah fi A'araz Al-Reyasah written by Zahiri Samarghandi is one of the technical prose texts of the sixth century AH full of rich political, social, legal, educational, and Assistant Professor in Persian language and literature, Shahid Chamran University of Ahvaz, Iran Dr. ebrahimi1840@gmail.