خلاصه ماشینی:
Toward Islamization of the Non-Visual Arts: A Brief Discussion of Some Crucial Issues Rasha al—Dz's12qi In his recent article, “Religious Fascism and Art,” Dr. Sa‘ad al Din Ibrahim concludes with these words addressed to all scholars in the visual and non- visual arts field: “Those who have the ‘Islamic alternative or alternatives’ let them be obliged, if they truly believe in the existence of refined standards for aesthetic creativity different from those available, (let them) endeavor to present these refinements to society.
In Literary Criticism: Roots and Methodology, Sayyid Qutb4 initiated a return to the Qur’an and the Hadith as sources, by analyzing emotive values of the work, exploring the nature of Islamic art, describing its characteristics and its basic emergence from Islamic Zzqidah.
Both the Qur’an and the Sunnah exhort patience, honesty, constant God-consciousness, the awe and love of Allah, the doing of virtuous deeds, preserving kin relations, humility, simplicity, remoteness from false worldly pleasures, and countless other intertwined moral principles which should be the main artistic focus of the various genres.
Once his pristine nature is preserved, the artists work will stimulate and positively render values such as justice, brotherhood, harmony and cooperation for universal good, as opposed to what is automatically labeled art, propagation of injustice, hatred, power, hunger, and strife.
Islamically principled works of art will create in the person a balanced state, fusing thought and emotion and developing a relatedness to Allah (SWT) through Qur’anic values.