خلاصة:
Born in 1964, Eric Chevillard is a French writer who has devoted himself entirely to literature. His first book entitled Mourir d’enrhume was published by Editions de Minuit in 1987. Three years later, Chevillard demonstrated his stylistic audacity in Palafox (1990). This article studies Eric Chevillard’s writing and his use of humor in Le Vaillant Petit Tailleur and L’Autofictif. This paper seeks to find out what type of humor he demonstrates and what purpose it serves. Chevillard’s works are often described as playful novels, which will be examined on the basis of three points. First, we will examine how in L’Autofictif, Chevillard associates the content with form, using fragmentary writing. Furthermore, studying Le Vaillant Petit Tailleur, we will discuss the artist’s ability to connect digression with language, and finally we will show how the tale is subverted in order to become a playful story.
ملخص الجهاز:
___________________________________________________________ 1 La Roche-sur-Yon 2 Olivier Bessard-Banquey 3 Pierre Jourdre 4 L'Autofictif 5 Le Vaillant Petit Tailleur ١ - Introduction The fictional works of Éric Chevillard have received significant attention and interest from readers and literary critics.
Critics describe him as one of the prominent figures of the playful novel 3: In fact, Chevillard is considered one of the best representatives of humorous strands in contemporary literature (This question arises: what kind of literature do we directly relate to comedy, as a genre that has always been associated with relatively popular literature?).
It seems that metatextual discourse 7 is also intertwined with laughter and seriousness: what the narrator seems to express for laughter matters to the author, and vice versa, everything that matters to the author has a serious dimension, is adorned with ridicule and mockery through his narrator-author character: Since the reader must in any case pass through this passage with their eyes closed, I add a few words to them so that at least in relation to marginalization, they are in my mind and conscience, not as an act ___________________________________________________________ 1Fiction 2Intertextualité 3Auctorialité 4Du Hérisson 5Oreille rouge 6 Autodérision 7Discours métatextuel unconstrained or evasive, not as a flaw of a hesitant mind, a confused rambling, not as a trick and pretext for rejecting obstacles, but here as the only correct way to advance the story, a path more legitimate than any other and in any case more legitimate than assuming the effectiveness of the Brothers Grimm who put the subject together in ten pages and move on to the next story.
From ___________________________________________________________ 1Pierre Ménard 2Borges 3 Cervantès 4 Texte fondateur 5OEdipe 6 Don Juan Through this excerpt from Eric Chevillard’s dialogue, this dimension of the author is revealed, and he uses his prerogatives as a narrator to call existence forth against nothingness, and also to give a call or a sigh of lightness to get rid of useless things and calls it “the great moving of the world”: “[...
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