خلاصة:
Sultan Ibrahim Mirza (946-984 AH), son of Bahram Mirza, son of Shah Ismail I Safavi, is the subject. Bahram Mirza was the youngest child of Shah Ismail I Safavi and, in addition to Shah Tahmasp I, had two other brothers named Alqas Mirza and Sam Mirza (author of Tazkirat al-Tuhfa al-Sami). From the year 963 AH, he was entrusted with the rule of the province of Mashhad by Shah Tahmasp until the end of his life (984). The subject of this article is the introduction of this poet's Divan (with attention to the correction of the manuscript version) and a look at his poetic art. His only remaining work is a Divan of poetry, which is registered in the Golestan Palace Library under number 2183 and row number 139 on pages 337 to 340 of the first volume, in the Divans section, titled Divan-e Jahi (the poet's pen name). Some sources estimate the number of verses in his Divan to be approximately three thousand (Khulasa al-Tawarikh, p. 110). The Divan that has reached us consists of 993 verses, of which 859 are in Persian and the rest are in Turkish. The Divan includes a prose introduction, eight qasidas, ninety ghazals, fifty-eight rubais, and Turkish poems. This Divan was compiled five years after the poet's death at the hands of Shah Ismail II Safavi in 989 AH, through the efforts of his daughter, Gohar Shad Khanum; it is a selected collection (safina) of all the poet's poetry, chosen and compiled aesthetically by his daughter. Praising great religious figures including: the Holy Prophet (PBUH), Imam Hussain (AS), and Imam Reza (AS), realism and attention to the beloved, mystical themes, historical references, and pride and self-praise are among the major themes of his poetry. His poetry is simple, fluent, and highly impactful.
ملخص الجهاز:
Literary Researcher Introduction: Sultan Ibrahim Mirza is one of the Safavid princes who, according to historical books and tazkiras, in addition to poetry, was adorned with sciences and arts such as: Arabic sciences and composition, morphology and syntax, theological discussions, history, rhetoric (Ma'ani and Bayan), music, painting, instrument making, calligraphy, etc.
The meters that hold the highest frequency in Jahi's Divan are as follows: 1 - Fa'ilatun Fa'ilatun Fa'ilatun Fa'ilun (Ramal Muthamman Makhzuf) in 3 Qasidas and 29 Ghazals 2 - Maf'ulu Fa'ilatun Mafa'ilu Fa'ilun (Mudari' Muthamman Akhrab Makfuf Makhzuf) in 1 Qasida and 12 Ghazals 3 - Mafa'ilun Fa'ilatun Mafa'ilun Fa'ilun (Mujtath Muthamman Makhzuf) in 1 Qasida and 11 Ghazals 4 - Fa'ilatun Fa'ilatun Fa'ilatun Fa'ilun (Ramal Muthamman Makhbun Makhzuf) in 9 Ghazals From the perspective of rhyme, a noteworthy point in his poetry is the repetition of the rhyme, which the late Master Zabihullah Safa considers one of the characteristics of eloquence in the Safavid era (History of Literature in Iran, Safa, Vol. 5, p.
His poetry includes the praise of religious greats, the eulogy of Shah Tahmasp, mystical and historical references, realism, the expression of the states of love between the lover and the beloved, and pride and self-praise; unfortunately, due to the lack of correction and printing of the Divan, the persona of this valuable Safavid figure has remained behind the veil of anonymity.
Manuscript of the Divan of Sultan Ibrahim Mirza Safavi (pen name Jahi), preserved in the library of Golestan Palace under number 2183