چکیده:
Aesthetics term has been used for the first time by philosopher Alexander Baumgarten in 18th
century which is referred to cognition through senses and sensory sciences. Although Mediaeval
philosophic thought in west ignorance has been established based on Rome and Greek philosophy
and has been formed by Christianity and has deep association with it, it is necessary to access to
Old Testament books and ancient philosophers’ thought to investigate aesthetics, so in order to
achieve this goal scholars’ views in different books have been used in this study. The present study
extracts and verifies various aesthetic markers in the works of pseudo Dionysus and uses mixed
qualitative and quantitative methods. Snowball sampling method employed to select scholars for
interview and quantitative method conducted by Morgan Table. Books have been selected
purposefully to extract elements, ATLASTI software applied to extract diagram in qualitative
method and SPSS software also employed in quantitative method to do the related calculations.
Results showed that 34 markers are extracted including light, proportion, being bright, absence of
excess and…which in qualitative results ultra-beauty, coma, the best beneficence and… are the
most repeated ones, but in quantitative sources integrity, creativity, ultra-beauty, absence of excess,
harmonious, perfection, source and destination of everything and light have the most proportion
خلاصه ماشینی:
Although Mediaeval philosophic thought in west ignorance has been established based on Rome and Greek philosophy and has been formed by Christianity and has deep association with it, it is necessary to access to Old Testament books and ancient philosophers’ thought to investigate aesthetics, so in order to achieve this goal scholars’ views in different books have been used in this study.
Dionysus lived in the late of 5th and early of 6th centuries and he was known as a saint because he named himself the disciple of Paul the Apostle, he is known as a neo- platonic philosopher with four theses and ten letters (Ilkhani, 2011: 70): - Divine names - Inner speech - Heavenly hierarchy - Spirituality hierarchy The current study which aims at extracting beauty agents in other scholars’ point of view towards his works, tries to answer these questions that what existing markers in Dionysus’s works beauty are in scholars’ perspectives and which of them has the most effect.
This issue has been analyzed comprehensively and extensively in Islamic aesthetics and selected as a model for mystics, in the other words mystic has called himself lover and made great attempts in spiritual progress to achieve the absolute beauty countenance and the fact which is the Holiness Oneness, therefor mentioning this matter is considered in beauty and love.