چکیده:
The purpose of this article is to investigate the homesickness, childhood and adolescence in Divan of Mir Razi Danesh Mashhadi. Homesickness as a cognitive state occurs when a person suffers from distress and psychological emptiness due to the lack of a material or spiritual element. The reason for this nostalgic feeling that is accompanied by nostalgia for past events; could be a variety of reasons, including being away from home, remiding of enjoyable pasts, youthful vivacity, losing loved ones, or other desirable life events in the past. Due to the poet's unwanted migration to India and being far from home, this emotional feeling of homelessness and reminding of his springtimme has given his poetry a more emotional mood and glorified his sense of belonging to his homeland. His approach to the homeland has all aspects of individual memories and there is not any evidence of collective feelings and memories and social nostalgia in his work. What provokes his feelings are the happy memories of living in Iran and the longing to be away from his homeland and his strong desire to return to his homeland and the land of dreams. The method used in this research is a desriptive- analytical one and this case-study research is based on the quantitative evaluation. Mirrazi's way of expressing the grief of homelessness and childhood and adolescence memornories were examined by studying and selecting the related poems, so the data gathering is a purposive sampling. After analysing the data it was seen that immigration and its consequences that can be felt by anyone in the middle age and old age can be seen in Mirrazi 's poems. Besides, remembering the past is illustrated in the most attractive and beautiful way in his poem and of course he has a powerful regret that affects the audience. Finally, we can conclude that Mirrazi didicated a significant part of his interpretation to homesickness, by addressing the grief of homelessness and regreting it. He also has reflected his individual experiences in his poetry.
خلاصه ماشینی:
One of the poets who has tasted the sorrow of exile and experienced separation from his homeland is Mir-Reza Daneshmand Mashhadi, son of Mirza Abu-Torab, a poet from the Safavid era.
Research Method The research method in this study is descriptive-analytical and based on quantitative assessment; therefore, by extracting the poems and verses of the poet from the book Divan of Mir-Reza Daneshmand Mashhadi, edited by Mohammad Gherman, published by the Research and Studies Institute of Ashura, the way the poet addresses the sorrow of exile and childhood and adolescence is discussed and examined.
Factors such as migration and separation from the homeland, remembering the good and sweet past like childhood, the death of loved ones, friends, or family members, old age and the loss of the enthusiasm and vitality of youth, and everything good and valuable that a person has lost for any reason and is now grieving for its loss and remembers it with longing and wishes for its return (Mousavi et al.
(Daneshmand Mashhadi, 1378: 36) Here, the poet considers the land of India as a dry garden that causes tightness of the heart and discomfort, and shows his nostalgic feeling towards the original homeland by remembering a beautiful and emotional image of the cypress dancing with the sound of music in the homeland.
(Ibid: 290) The poet heals the pain and sorrow of separation from his origin with the pleasant memories of friends and acquaintances in the homeland, and considers himself like a branch of a flower far from the garden, which, despite drying up, expresses itself with life-giving flames by burning in the fire of inner cries.
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