چکیده:
One of the approaches of literary criticism that, apart from looking at the effective elements in literary writing, criticizes the format and external body of the works; The school is formalism. The present research deals with the aesthetic analysis of some selected quatrains of Iraj Zebardast, a contemporary Iranian poet, using the approach of formalist criticism. Formalist criticism, as one of the most important approaches of literary criticism in the 20th century, focuses on the structure and form of the literary work and believes that the meaning and beauty of the work can be understood primarily through its formal elements. In this research, first, the theoretical foundations of formalist criticism are briefly explained; Then, by selecting some important quatrains from the mentioned poet, a detailed analysis of their formal elements is done. These elements include weight, rhyme, row, literary arrays such as (pun, metaphor, irony and simile), syntactic structure, and how these elements relate to each other in creating meaning and aesthetic effect. The results of this analysis show that in his quatrains, Zebardast has skilfully used the formal capacities of this poetic form. The artistic use of the weight and inner music of words, the use of pristine and non-repetitive rhymes, the use of literary techniques in the service of meaning, and the creation of a link between form and content are among the distinctive features of his quatrains. This research also examines how the elements of form affect the transfer of concepts and themes intended by the poet and shows how form and content are intermingled in Zebardast’s quatrains and have formed a coherent and effective whole.
خلاصه ماشینی:
Considering the importance and position of the rubai in Persian poetry and the special characteristics of Iraj Zبردست’s works, this article seeks to answer the question of how formalist elements in Zبردست’s rubaiyat contribute to creating beauty and meaning.
Boris … Investigating the Aesthetics of a Selection of Iraj Zبردست’s Rubaiyat Based on Formalist Criticism 131 to understand how formal elements function in contemporary Persian poetry and to provide a basis for further research in this field.
Aesthetic Exploration of Selected Rubaiyat of Iraj Zبردست Based on Formalist Criticism 135 Verbosity and exaggeration praise the power of the voice and the heavenly sound of Master Shajarian, and directly, simply, and with the second-person singular pronoun, addresses Master Shajarian, which represents the poet's and generally the audience's popularity and feeling of closeness and intimacy with him.
This image depicts the beauty, freshness, and attractiveness of the beloved with Investigating the Aesthetic Aspects of a Selection of Iraj Zarbast’s Rubaiyat Based on Formalist Criticism 139 Art connects poetry.
The rubai forms a coherent whole in terms of meaning; so that it starts from Investigating the Aesthetic Aspects of a Selection of Iraj Zبردست’s Rubaiyat Based on Formalist Criticism 143 It begins with the description of love and its difficulties and ends with expressing the intensity of the poet’s love.
Aesthetic Exploration of a Selection of Iraj Zarbast’s Rubaiyat Based on Formalist Criticism 145 The structure of this rubai is such that the first couplet describes the beauty of the beloved and the second couplet expresses the poet’s regret and failure.
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