چکیده:
Discovering how much the great poets، like Hafiz، have used imagination and lingual skills to convey poetic concepts is one of the ways by which one can achieve the nature of literature and to speak effectively. Consisting of two parts of superstructure and infrastructure، the present essay is to analyze the stylistic (lexical، syntactic، and rhetorical) layers of one of Hafez's sonnets. The first part، in the field of structure and form، contains the analysis of lexical and syntactic layer and the second part، relating to the theme and imagination، contains the analysis of rhetorical layer and dramatic images of Hafez's poetry. In the second part، some examples are mentioned from other sonnets of Hafez. Adopting a new attitude، it has been tried in present essay to prove the continuity of Hafez's mind and language to eternal themes (the themes deal with the origin of man and his life before his Descent on Earth); a logic that affects his vocabulary، lingual combinations and poetic imagination simultaneously and forms his thinking system. A system still calls researchers to decrypt the mystery of word and meaning in his poetry after several centuries.
خلاصه ماشینی:
(Hafez, 1390: 338) The use of the demonstrative pronoun “this” in the second line of the fifth couplet of the ghazal under discussion (Mamluk “this” is my master and poor “this” is my dwelling) indicates the poet’s feeling of closeness and sharing in the theme of an experience in primordial time.
My poetry, by the blessing of your praise, has opened a hundred kingdoms of hearts It is as if your sword is the tongue of an eloquent speaker If I pass by a rose garden like the morning breeze It is neither the love of the cypress nor the longing for the pine I smelled your scent, and with the memory of your face The wine servers gave me one or two goblets of delight Drunkenness with the water of one or two grapes is not the situation of a servant I am an old man, raised in the ruins With the course of the planets, judgment is enough.
Stylistics of the Lexical Layer of Hafez’s Poetry (Refer to the image on the page) {Refer to the attached table file} {Refer to the attached table file} According to the semantic and structural analysis of the vocabulary level in Hafez's poetry, one can conclude the following: - The frequency and dominance of mental words over objective words indicate an abstract style and his inclination towards philosophical speech.
As was examined in the structural section (lexical layer), Hafez's poetry is generally abstract and dependent on his mental deep structure; the linguistic expressions and images he creates are abstract and ambiguous, following this topic.
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