چکیده:
According to researchers, in the last one or two decades, with the expansion of mass media and the increasing familiarity of young people with the manifestations of modern life, the effects of modernity have appeared most prominently in the institution of the family. This article seeks to understand what impact the collision of tradition and modernity has on society and its most important institution, namely the family, and how these effects are represented in Iranian family films. For this purpose, Reza Mirkarimi's film 'As Simple As That' (2007) was selected as a case study. The analysis was performed based on Laclau and Mouffe's discourse theory and using the method of discourse semiotics, and also with reference to theoretical studies. The result obtained was that first, in Iranian family films, family conflicts and differences in the viewpoints of family members are represented in the form of a confrontation between the discourses of tradition and modernity. Second, by studying cinematic films as cultural products of society, it is possible to gain a better understanding of social concerns, including the challenges of the Iranian family.
خلاصه ماشینی:
Woman, Wife Position determined by society, having Position determined by the individual, presence home roles, subordinate, dependent on man in society, independent, equal to man Man Breadwinner and owner of the family, lack of Participation in equal participation with other family members the home Child A support, obedient, under supervision Having rights, independent, freedom-seeking Parents Parents Providing material welfare for children, powerful and Attention to children's emotional needs, single decision-maker, transferring skills to friendship with children, consulting with children Children Love Accompanied by ownership, usually one-sided and Accompanied by freedom, mutual and immediate distant Marriage and its goals Collective decision-making, based on family Individual choice, often based on love, considerations, survival of the generation emotional and sexual satisfaction Relationships before marriage Sin Necessity Divorce A reprehensible and abnormal act, ostracized from A possibility for release from tension, an opportunity society to start over Elderly and the sick Often cared for by children and relatives Often cared for by a nurse and in nearby a nursing home Destiny Predetermined, unchangeable Shaped based on individual choice, changeable Migration Often opposed Often in favor Having children Necessity A voluntary act Relationships between family members Lack of dialogue, prejudice and judgment Mutual dialogue, lack of prejudice and hurriedly, preserving privacy, behaviors accompanied judgment accompanied by reflection, creating intimacy, by prejudice behaviors without prejudice Theoretical Framework Since the place of the conflict between tradition and modernity in contemporary Iranian cinema often moves from the surface of the main story to the deeper layers of films, it seems that the theory of discourse analysis 1, given the facilities it provides to the researcher, is a suitable framework for advancing this research.
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