چکیده:
Intellectual infrastructures of a literary work represent the planner’s
knowledge and intuition. Shâhnâma is one of the selected literary works
in which the ideological dimensions of the author’s personality، as a
Shî‘a poet، is quite manifest. Many of the religious teachings offered in
Shâhnâma are directly originated from the Qur’ân. These components
are noteworthy both in roots of religion such as: theism، monotheism،
return to God، and justice and in branches of religion such as: prayer،
jihâd (holy strive)، and enjoining the good. This article mainly includes
a research on haft khân-i Rustam (seven exploits of Rustam) from the
ideological and religious point of view and is written in the librarian
style (based on sources and references)، with the research findings
presented in a descriptive form. The haft khân-i Rustam has frequently
been dealt with and analyzed from different literary perspectives، but its
religious teachings have been neglected; thus، this article can be helpful
from this viewpoint.
خلاصه ماشینی:
Death According to the explicit text of the Holy Quran, every soul shall taste death, and all shall return to God: Nakhāhad hamī mānd īdar kasī bakhwānad agar cheh bāmānd basī (Ferdowsi, 941:7831) In numerous verses, the issue of death and the return of humans has been referred to, all of which imply this point: everyone will taste death and will ultimately return to God. The Prophet of Islam says: 'The destination of mankind is death; prepare yourselves before death arrives.
Prayer (Salat) In the presence of God, Kay Kavus removes his hat and stands to offer his secrets and supplications: Be hashtom, jahān-dār Kāvus shāh Ze sar bar gereft ān Kīyānī kolāh Va ze ān pas āmad be jāy-e namāz Hami goft bā dāvar-e pāk, rāz (Ibid: 661, 461) In many verses of the glorious Word of Allah, praying and the method of its performance are mentioned; and in several instances, establishing prayer has been recommended.
" (Nahj al-Fasahah, 302:583) Ham Irāniyān rā ze changāl-e div Goshāyad bi-āzār, keyhān-e khadīv (Ferdowsi, 051:783) Supplication as a Symbol of Divine Mercy In the Seven Labors, the sorceress, who is the symbol and emblem of Satan, has remained far from divine mercy: Ravānash gomān niyāyesh nadāsht Zabānash tavān-e setāyesh nadāsht (Ibid: 351) It is narrated from the Prophet of Islam that the most helpless of people are those who do not have the state of supplication and are incapable of praying, and this means that they have also closed the doors of mercy and response upon themselves.
(
, 
, 
)
