چکیده:
This essay, by questioning the concept of creativity in architecture, examines the concept of human creativity and artistic creativity in Transcendent Wisdom. In this regard, discussions on human divine vicegerency, mental existence, a Sadrian definition of the human soul, the correspondence of its perceptual levels with the levels of the universe, human perceptual theories and the position and role of intellect and imagination, and the subject of discovery and inspiration were investigated. Based on this study, human creativity inspired by Transcendent Wisdom is explainable in relation to the manifestation of the creation of the world by God and under the status of human divine vicegerency, and according to the levels of this manifestation, it has degrees that apply to industry and art. Furthermore, an explanation of creativity based on the human's journey through the levels of existence and based on their perceptual faculties was proposed, which can be applied to architecture as the result of human intervention in the environment, in the establishment and the descending and ascending journey among the worlds of existence. This discussion can serve as a theoretical basis for assessing and judging Islamic architecture from the perspective of its realization process.
خلاصه ماشینی:
Based on this study, human creativity inspired by Transcendent Wisdom is explainable in relation to the manifestation of the creation of the world by God and under the station of human divine vicegerency; according to the levels of this manifestation, it possesses degrees that correspond to craft and art.
To answer them, investigations have been conducted into conceptual contexts related to the concept of creativity, such as how the world was created by God and the nature and levels of the world from Sadrā's perspective, the anthropology of Transcendent Wisdom and the various dimensions and levels of the soul, the divine unity of actions (tawhid al-af'al) and the rulings of efficient causes, the issue of human divine vicegerency, and also the subject of mental existence; finally, a ground has been laid for defining creativity in Islamic architecture.
(See Mulla Sadra, 1368: Vol. 2/264, Vol. 7/148, Ibn Arabi, 1400: 203, and Sane'pour, (92: 111-113) Nevertheless, the justification of human agency in acting within the world of matter and sense, the agency of the soul in creating imaginary forms, and the attribution of the act of creation to humans—given the aforementioned interpretations of the manner of the world's emergence and discussions such as the personal unity of existence and tawhid—requires a separate explanation.
(
, 
, 
)
