چکیده:
Seeing things differently، as discussed in this paper، is the link between Sufism and art. It is a quality shared by both Sufis and artists. This quality has two dimensions: the dimension of insight and the dimension of actions. With their insights، artists and Sufis see the world differently. They see things that others do not see. They also see things that everybody else sees in different ways. They perceive things that others do not. They make their new perceptions available to others through new forms and new structures such as rhythm in poetry، music or color in painting or stone in sculptures. They communicate their different perceptions through what we call art works. In this paper، the above–mentioned points will be explored. Examples of Sufis' deeds and words will be discussed in terms of insights and perspective، which show that every real Sufi is also an artist.
خلاصه ماشینی:
*Introduction Mysticism and art are both phenomena of wonder, about which many people have conducted much research and discussion since ancient times; they have reached and manifested these two from various perspectives and have inevitably provided diverse identifiers and definitions for them; nevertheless, these two phenomena have not yet unveiled their faces as they should, nor have they properly revealed the secret of their work, and they have not closed the way to newer inquiries and researches; and this, it seems, has its roots in their special nature and the characteristics of their essence.
The root and reason for the different way of seeing possessed by mystics and artists also seems to be here: that although the world and its phenomena are full of beauty, attraction, sweetness, and wonder, because they appear to us more or less with the same face every day and we see them every day in the same way and with the same gaze as we had seen before, they acquire a monotonous essence and form for us, and the ledge of the shelf of habit causes them to lose their splendor and charisma, and they no longer attract our sight and heart.
18; also: Asrar al-Tawhid, 1/592); -On the way, he reaches a place, asks for its name, and from that name, he artistically and minutely extracts a pure point, making his staying or leaving contingent upon that name and point, as in these reports: "At the time when our Sheikh Abu Sa'id was in Nishapur, one day he said, 'We must prepare mules so that we may become famous.
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