چکیده:
The Holy Quran is a book that has many miraculous aspects, the first and most obvious of which is incarnation, which is a universal language, so that every listener, both Arabic and non-Arabic, who hears it, is thrilled and his feelings are changed. T, one of the sub-branches of which is side music, which is the result of balance and harmony between verses. On the other hand, the consensus of the scholars of Quranic sciences is that there is a special verbal and contentual correspondence between the Suri who have similar syllables. And they are placed one after the other in the Holy Qur'an; For this reason, in this article, an attempt has been made to analyze the appropriateness of this chapter through stylistics and at the phonetic level. The results of this analysis, which is a descriptive-analytical method, show that the intervals of the verses in these seven suras are predominantly and significantly ending in one of the letters "Nun" and "Meem" and the letters we read before are at a very reflective level. It has ended in one of the fashionable letters, which not only creates ecstasy in the audience, but also is completely in line with the intentions of the verse and the verse.
خلاصه ماشینی:
Investigating the Harmony of Peripheral Music in Hawamim Surahs Through Phonological Stylistics (Date of Receipt: 1400/09/29 Date of Acceptance: 1400/11/10) Tayyebah Babayan 1 1399 Masood Eghbali 2 Abstract The internal cohesion of the Holy Quran, as one of the manifestations of the proportion between word and meaning, is sometimes derived from the coexistence of a phonetic set of words, which plays a fundamental role in creating different semantic levels and mental imagery for the audience.
2- Literature Review 1399 Investigating the harmony and internal cohesion of verses and also clarifying the phonological and musical level of the Quranic Surah of the Holy Quran and the meaning derived from it has received special attention from researchers, and important results have been obtained in this regard, some of which are mentioned: 1- The article "Stylistic Analysis of Surah Al-Jumu'ah" by Morteza Sazgini and Abbas Yousefi, published in Siraj Munir Journal, year 1395, issue 24.
Frequency and percentage of the frequency of the final letters of the verse fasilahs in the blessed Surah Ahqaf Final letters: Nun, Mim, Ra Frequency: 8, 26, 1 Percentage (approximate): 74%, 23%, 3% Frequency of the letters before the end in the fasilahs of the verses in Surah Ahqaf Long vowel letter before the end of the fasilah: Ya, Waw Frequency: 22, 14 Percentage: 63%, 37% 5-2- Investigation of common meters between the Hawamim Surahs with the highest frequency: Fasilahs in the verses of the Quran play an irreplaceable role in creating its musical consistency and harmony, and the importance of this role is not hidden from anyone.
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