چکیده:
One of the most important concepts of comparative criticism is the theory of influence. This theory can be the first bridge between comparative criticism and reception theory; this means that every literary text must first be received so that it can leave its impact and then provoke the reader's reaction. The theory of perception, which was first developed in the works and opinions of Wolfgang Iser, soon gained the attention of critics and experts in various fields of reader-oriented criticism, including adaptive criticism. In this study, based on the aesthetic theory of reception by Wolfgang Iser, seven articles published in peer-reviewed publications, and dealing with the comparative analysis of poems from resistance literature, are examined and analyzed as seven critical readings. The basis for the selection of articles is to pay attention to the difference and diversity of writing style in Persian-speaking poets - despite the unity in the field of themes - on the one hand, and the generational adaptation of the poets on both sides of the adaptation, on the other hand; besides, the selected researches should also have the potential of being read according to Iser’s theory. The necessary information for measuring the samples has been obtained through library method and direct review of the texts.
خلاصه ماشینی:
From the searches conducted in various systems and databases of scientific-research journals, many instances of comparative research in the field of resistance poetry and also aesthetic studies of texts based on Wolfgang Iser's theory were found, some of which will be mentioned under the following titles: analysis of the poem "O Humans" and its interpretations based on the theory of aesthetics of reception by Esmail Shafaq Ali and Asghar Azarpira (1396), analysis of the reflection of Kalila and Dimna in the five volumes of Tarikh-e Vasaf from the perspective of reception theory written by Mohammad Amir Jalali (1397), comparative analysis of themes of resistance in the poems of Samih al-Qasim, Hassan Hosseini, and Qaisar Aminpour written by Morteza Zare Barmari, Kobra Roshanfekr, and Hossein Ali Ghobadi (1390), reading the translations of Sahifeh Sajjadiyeh in light of Wolfgang Iser's theory of aesthetic cognitive balance by Seyed Mehdi Masbouq and Mehri Ghaderi Bibak (1400), comparison of the critical commentaries of Niazi and Latifa-ye Ghaibi on the ghazals of Hafez based on reception theory written by Morteza Mohseni and Atna Reyhani (1400), application of reception theory to the analysis of the concept of war in the novel "Harvest" written by Nikou Ghasemi Esfahani and Elmira Dadour (1402).
This essay aims to examine the comparative readings conducted in the field of resistance poetry through the statistical population of scientific-research articles published in Iranian journals, based on the methodical propositions of reception aesthetics theory and according to Wolfgang Iser's perspective, and to scrutinize the readerly characteristics of these researches using an interpretive analysis approach.
(
, 
, 
)
