چکیده:
The continuation of the epic poetry of the fifth century AH, one of the valuable epic works presented to the field of Persian literature, is Asadi's Garshasb-nameh, which is recognized as the most successful follower and composer of the Shahnameh. This poem has great importance in terms of linguistic and literary structure and, as one of the prominent works of the Khorasani style, is full of the characteristics of this Persian poetic style. This research, conducted as a library-based study, examines the linguistic and literary structure of Asadi Tusi's Garshasb-nameh. The most important linguistic and stylistic features of Garshasb-nameh include: the use of 'aba, abr, abi' instead of 'ba, bar, bi', using 'kaja' to mean 'ke' (that), the use of 'aydun' to mean 'such' and 'aydar' to mean 'here', omission of pronouns by context, amala or mamal (vowel shifts), the use of various types of 'y' with verbs, making verbs transitive with the alif of transitivity, and using personal pronouns instead of common pronouns. The use of common rare vocabulary is another stylistic feature of Asadi Tusi's Garshasb-nameh. The use of these words indicates his extensive knowledge of vocabulary. Some of these words became obsolete and were lost in later periods.
خلاصه ماشینی:
A Research on the Stylistic Elements and Linguistic and Literary Structure of Asadi's Garshaspnameh Continuing the epic storytelling of the fifth century AH, one of the valuable epic works presented to the realm of Persian literature is Asadi's Garshaspnameh, which is recognized as the most successful follower and sequel to the Shahnameh.
The most important linguistic and stylistic features of Garshaspnameh include: the use of "aba, abr, abi" instead of "ba, bar, bi", the use of "kaja" meaning "that", the use of "aydun" meaning "such" and "aydar" meaning "here", omission of the pronoun by implication, imala or mamal, the use of various types of "y" with verbs, making verbs transitive with the alif of transitivity, and using personal pronouns instead of common pronouns.
The most important stylistic characteristics of Garshaspnameh are: The use of "aba, abr, abi" instead of "ba, bar, bi" {refer to the attached table file} (Garshaspnameh, 1393: 363).
The most important stylistic elements and linguistic features of Garshasp-nameh are as follows: 1- Use of "aba, abr, abi" instead of "ba, bar, bi" 2- Using "kaja" to mean "ke" (that) 3- Use of "aydun" meaning "such" and "aydar" meaning "here" 4- Deletion of the pronoun by implication 5- Imala or Mamal 6- Use of various types of "y" with the verb 7- Making verbs transitive using Alif al-Ta'diya 8- Using a personal pronoun instead of a common pronoun 9- Repetition of the preposition 10- Use of the verb "mandan" (to remain) in a transitive manner 11- Using "ra" to mean "for" 12- Use of "mar" before the object or complement 13- Use of two consecutive consonant letters 14- Use of rare words common in the fourth and fifth centuries 15- Use of "baz" as an addition (mudaf) 16- Use of "agar" to mean "or" 17- Use of the pronoun "va" instead of "an" for inanimate referents.
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