چکیده:
The study of the status of women during the four decades after the Islamic Revolution is evidence of serious and significant changes in their status and position in both the individual and collective spheres. From the day after the revolution to the end of the fourth decade of the revolution, women have experienced changes in their situation, which has led to the formation of a model of women in society, which is almost different from the model approved by the government. Among the fields that show the process of these changes and developments well are the two fields of cinema and music, which have been able to reflect the status of women in society during these four decades. Therefore, the present research answers the question that what is the relationship between the presence of women in the social arena and their presence in the two arenas of cinema and music? It proposes the hypothesis that the presence of women in the field of music and especially in cinema is a direct reflection of social developments, so that the study and investigation of the position of women in these fields is a good representation of their presence in the social field during these four decades.The result of the research shows that the presence of women in the field of cinema (more) and music (less) has undergone gradual but profound changes in both quantitative and qualitative dimensions during the rule of the Islamic Republic of Iran.
خلاصه ماشینی:
actor, director, filmmaker, and critic, have gained a significant position, while in the field of music ــ specifically singing ــ they have a relatively weak position due to the prohibition of broadcasting women's voices, but in general, it can be said that today, the artistic field, like other fields and influenced by social transformations, is no longer a solely male domain, and the presence of women in various parts of this field has been accompanied by remarkable changes.
Although the position of women in these two fields initially took on a valuable and revolutionary direction due to the role the political system had defined for them in promoting the Islamic pattern, we are gradually, and under the influence of domestic and global changes and transformations, witnessing significant changes in the status of women that differ from the will of the government, which can be observed in the fields of cinema and music as a reflection of the face of society.
In the present research, also within the framework of the reflection approach and by accepting the theoretical hypothesis that artistic works are a reflection of the existing conditions at the time of the work's creation, we have reached the conclusion that the nature of women's presence in the two fields of cinema and music in the four decades following the Islamic Revolution is a reflection of their status in the social sphere, and this reflection, in turn, indicates the occurrence of serious transformations in the roles and positions of women in society throughout these four decades.
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