چکیده:
abbdolvaasse jabali is a poet of the sixth century ah which the majority of scholars know him as someone changes the style of persian poetry from khorasani to iraqi. this paper seeks to investigate the factors of the simile in his divan with a qualitative research method, an analytical-descriptive type and a text-based approach. also if necessary be used of comparative and contingency methods. the analysis of the poems by abdolvaasse jabali shows that the calling of the chain of moshabahon beh of one family that has realationships , which is in line with each other, is a coincidence of a similar arrangement for two sides and with two different faces in one verse, changing the place and the way, the simile of the letters, and the variety of moshabah & moshabahon beh, among the reasons for the strangeness of simile in his poems; to the point where the poet can be said of a simile more than a literary array and in the direction being aesthetician, as an array, and for the pride and declaring discourse, the dominant content in his divan is underneath a layer of bizarre, reticent, complex and blindfolded is hidden.
خلاصه ماشینی:
6. 0 Abstract Abd al-Wasi' Jabali is a poet of the sixth century AH, whom the majority of researchers consider a participant in the stylistic shift of Persian poetry from Khorasani to Iraqi.
An analysis of Abd al-Wasi' Jabali's poems shows that the invocation of related chains of familial 'mushabbah-bihi' (the thing compared to), the simultaneous mention of an identical 'mushabbah-bihi' for two 'mushabbahs' (the things being compared) with two different 'wujuh-e shabah' (points of similarity) in a single verse, inverted similes and the exchange of positions between 'mushabbah' and 'mushabbah-bihi', literal similes, and the diversity and variety of 'mushabbah' and 'mushabbah-bihi' are among the reasons for the obscurity of simile in his poems; to the extent that it can be said that the poet utilized simile more as an art form for the purpose of pedantry and showing off rather than as a literary device for aesthetic creation, and the dominant content of panegyric in his Divan is hidden under a layer of strange, pretentious, artificial, and boastful similes.
Therefore, since Abd al-Wasi' Jabali is a prominent poet with his own unique poetic method and played a key role in the transition of the style of Persian poetry from Khorasani to Iraqi, an analysis of simile in his Divan becomes necessary.
As can be observed, the frequency of simile with chain-like mushabbah-bihi in Abd al-Wasi' Jabali's qasida is higher than in Athir Akhsikati's, with a ten percent difference.
(
, 
, 
)
