چکیده:
One of the important topics in stylistics and grammar is the recognition of noun phrases in a poem. In order to understand a poet’s personal style, along with other factors, the structure and style of the noun phrase used in his poetry must be well evaluated. Among the poets of the revolution, Nasrollah Mardani is one of the few who has done e imagery. Through a descriptive-analytical method, this study seeks to examine the structure of the noun phrases in the poems of Mardani. All the noun phrases are counted and reviewed in three types including pentapartite, quadripartite, and triplex. Also, the number and variety of those phases are shown in corresponding tables. The findings of the study show that Mardani has used actual and potential Persian language capacities to construct noun phrases. His views have gradually changed over time and, as a result, the number of the noun phrase has declined in his later poems. Placing adjectives at the beginning of noun phrases with extra fraction, making noun phrases without nouns, enlightening against the rules and creating phonetic proportions are the most important anomalies in the construction of the noun phrases in his poems.
خلاصه ماشینی:
An investigation into the style of noun phrase constructions and their evolutionary course in the poems of Nasrollah Mardani (Research Article) Hossein Raisi PhD student in Persian Language and Literature, Yazd University Dr. Mohammadreza Najarian 1 Dr. Mehdi Malek Sabet Professors of Persian Language and Literature, Yazd University Abstract One of the important topics evaluated in the study of language evolution is the recognition of the "noun phrase.
Placing an adjective an attributive expression at the beginning of the noun phrase with the ezafe construction, constructing a noun phrase without the presence of a noun, using non-standard modifiers, and creating phonetic harmonies are among Mardani's most important deviations in the field of noun phrase construction.
2) What is the evolutionary course of the structure of noun phrases in Mardani's poems, meaning, over time, has their diversity and multiplicity increased or decreased?
In any case, the ezafe construction is the most important way to identify the head because "in the Persian language, the ezafe is always placed between the head of the noun phrase and its post-modifiers" (Labaafan Khosh and Darzi, 1390: 110).
468) 3-3-5- Diversity of descriptive adjectives, both in terms of type and structure, in the construction of noun phrases.
160) In the noun phrase "the most awake sleep of the most unslumbering", the superlative adjective "most unslumbering", which is among the preceding dependents, has come after the head as a post-modifier.
The percentage of the multiplicity of noun phrases gradually follows a downward trend; however, Mardani's religious poems in the book "Cheshmeh-ye Shafa" are an exception to this rule.
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