چکیده:
The verbal music in poem, named aesthetics, is the first and most important element of the beauty of poem and can fascinates addressee. Rhyme, radif in verbal music plays a very important role and serves as a pillar and reference in the music of every line. In this text, we explore types of rhyme and radif and their musical roles in Iraqi's sonnets. Iraqi is the great mystic and poet who lived in 7th century. We evaluated rhyme and radif, used in his poem book from different angels, in a descriptive-analytical way. The following results were achieved: Sonnets, have used common and frequently used rhythms. His expression is fluent and understandable. 63% of the rhyme words are ended with high syllable, in form of obligated mordaf to main redf and absolute mordaf to main redf. This issue provides the context for music of word and beautifies the thoughts. 24% of the rhymes ended with simple syllable have been in obligated and absolute form. In these rhymes, for having the necessary condition for fluency of the music, vowels or a suitable radif with a high syllable have been used. 64% of Iraqi's sonnets have radifs, so the last consonant of the rhyme with poor pronunciation in these sonnets is well-pronounced and the necessary music of the poem is achieved. The phonetic relationship between the chains and sub-chains in the chain of words, between rhyme and radif, and the other words in each line has a good harmony and nice beautiful music.But in Iraqi's sonnets, contents are similar and imagination is low, and repetitions of rhyme, radif and the first line (Matla') are in excess of need.
خلاصه ماشینی:
63 percent of the rhymes consist of long syllables and in the form of a rhymed Qafiyah, ending with the original Radif, possessing the necessary tension in the music of the word; and 24 percent of the rhymes end with simple syllables, having a vowel-consonant combination or Radif, and possessing the necessary tension and conditions for musical fluency.
The phonetic connection of chain and sub-chain units in the chain of speech, between the rhyme, Radif, and other words in each verse, possesses a pleasant harmony and magnificent, beautiful music; however, in the ghazals, the repetition of rhyme, Radif, and Matla (opening verse) is noticeably frequent.
In this essay, first, a brief reference is made to rhyme, Radif, and other related matters, then the types of rhyme and Radif in all of Iraqi's ghazals are determined, and from among each rhyme group, a suitable opening of a ghazal, as an example, has been analyzed and decomposed, taking into account the musical factors and the vowels and consonants present in the structure of the words of rhyme and Radif.
Radif, which is characteristic of the ghazal and Persian poetry, is effective in pronouncing the final letter of the rhyme word and completing its music, thereby increasing the auditory pleasure.
In these ghazals, which have an open syllable C or a closed syllable CVC, in order to create better and more complete music, 87 percent of them have a radif and 47 percent of the rhymes have the vowel "Alif" as the stressed letter, meaning an open syllable with the vowel "a", which has a more delightful sound than the other two long vowels.
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