چکیده:
Extracting components to determine the author's personal style is one of the things that can show the author's style more accurately and better based on measurable parameters. One of these parameters is the study of the relative frequency of a particular structure. In this regard, the study of the syllabic structure of the row and rhyme can be effective. For this purpose, this research has tried to determine the frequency of construction and the syllabic pattern of rows and rhymes in Hafez's poems. The study also aims to examine the extent to which Hafez uses each of the syllable structures in the row and rhyme and the arrangement of these structures in each syllable pattern. This research shows that the ratio of syllable construction in Hafez's poetry is somewhat in harmony with the natural Persian language. In terms of syllable pattern, the poet has used a wide variety of patterns. In terms of frequency, the patterns used also have different frequencies. Although the poet has shown no interest in using open syllables in the one-syllable pattern, he has used this syllable well in multi-syllable patterns.This study shows that the poet has limitations in using some patterns, such as not using patterns that start with cvcc in two-syllable patterns. This study also shows that in the application of each of the constructions in total patterns, the construction of cv is superior to the constructions of cvc and cvcc. In terms of the average use of each of the three constructions in all row and rhyme syllables, cv syllables are in the first place and cvc and cvcc syllables are in the next positions, which in terms of both rank and relative frequency is accompanied by spoken and written language.
خلاصه ماشینی:
Investigation and analysis of the structure of radif and rhyme in Hafez's poetry from the perspective of relative frequency of structure and syllabic pattern * 1 The late Mehrzad Mansouri Abstract Extracting components to determine an author's individual style is one of the methods that can make opinions about the author's style more accurate and show them more based on measurable parameters.
In terms of the average application of each of the three structures in the total syllables of radif and rhyme, cv syllables are in first place, followed by cvc and cvcc syllables, which aligns with both rank and relative frequency in spoken and written language.
In terms of pattern, these researches show that as the number of syllables in a word or phrase increases, the syllabic structure becomes lighter (for example, while cvcc is superior in monosyllabic names, in disyllabic names, the cvc structure is superior, and in trisyllabic names, cv is superior).
Data Analysis In this section, in two parts, the frequency of syllabic structure, syllabic pattern, and the number of syllables in the rhyme in Hafez's poems, and the total rhyme and radif—as components that are controlled in poetry in terms of syllabic and phonological structure—are examined.
Analysis of the data from the perspective of the number of syllables shows that 56 percent of the patterns are monosyllabic patterns, which has a significant difference compared to the ratio of monosyllabic words in the Persian language (very low frequency (4.
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