چکیده:
Story criticism in Arabic literature, in the late twentieth century, influenced by morphology and structuralism, entered a new stage that dealt with the elements of the story and narrative methods and gave less importance to the 'artistic attitude' of the story. Artistic attitude is the author's unique experience of the complexities of life, which leads to 'narrative cognition' so that the reader can enjoy the story by understanding it and experience new insights. In his book 'Al-Anwa' al-Nathriyyah fi al-Adab al-'Arabi al-Mu'asir (Ajyal wa Malamih)' (Prose Genres in Contemporary Arabic Literature), Sayyid Bahrawi, by introducing various works from writers of the Arab world, seeks to analyze the narrator's human experience—which is equivalent to the author's linguistic experience—by breaking free from the framework of pre-determined analyses. He calls this experience, which stems from the Arabic environment, the 'Nature of Form' (The content of the Form), seeking to provide an artistic insight into the experience of the Arab human by liberating itself from mental dependence on the West. Does his analytical method offer innovation in prose genres? Can it be used to understand stories? Has this book been successful in reaching this goal through its critical approach? Using an analytical-descriptive method and relying on quantitative and qualitative content analysis, it can be concluded that the issue of the book 'Prose Genres in Contemporary Literature' is not the analysis of the structure of story elements and narration, but rather the aesthetic understanding of the narration of the human experience of the Arab human, by providing the artistic insight inherent in the network of story elements, while explaining its characteristics and analytical method, and introducing examples of stories that possess a story structure content with an Arabic identity.
خلاصه ماشینی:
Within the country as well, in the field of criticism of books related to stories, articles have been written such as the article "Analysis and review of the book 'بنيۀ النص السردي من منظور النقد الإدبي' written by Hamid Lamhdani" by Ahmad Reza Saedi (1395: 135), which is one of them, in which the author, by introducing the aforementioned book, analyzes its place in the scientific atmosphere of narratology, its innovation, and its most canonical subjects, goals, hypotheses, theoretical foundations, and achievements; also there is the article "Critical analysis of the book 'سيميائية النص السردي' by Abd al-Hadi Fartousi" by Fatemeh Akbari Zadeh (1296 AH: 239), in which the author, by examining formal and content characteristics, concludes that although the book in the field of the semiotic approach has been somewhat successful, but it has obvious structural and writing weaknesses and suffers from disorder and fragmentation in its content structure; Additionally, Alireza Kaheh (1396: 163), in an article titled "Review and Criticism of the Book 'الرواية العربية' by Roger Allen," while introducing the book, states that "the author has used a historical-critical approach in compiling the book; first, the political and social situations of Arab countries in the twentieth century were examined, and then an attempt was made to explain the reading of these texts from the situation by presenting fictional examples.
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