چکیده:
Poetry is imaginative speech; that is, the creation of images constructed from poetic concepts through words across the two axes of collocation and succession of language, manifested by the artist's skill at the level of speech and expression. Since the sixth century, alongside changes in the style of versification and the presence of various scientific terms in the imagery of poetry, some poets based the foundation of their poetic imagery on elements of science. Anvari is among the poets who have built the foundation of his poetic imagery upon the terminology of various sciences. This essay, written in a library-based method, while examining the terminology of three sciences—astronomy, music, and medicine—in the Divan of Anvari, attempts to answer these questions: 1. What is the frequency of the terms of each science in order? 2. What is the relationship between scientific terms and other words in the verse in terms of collocation and rhetoric? 3. Through what techniques does Anvari reflect the terms related to each of the three aforementioned sciences in his imagery? The result of the research shows that most of Anvari's imagery utilizes elements of astronomy, followed by the terminology of music, and finally, medical terminology. By analyzing the knowledge-based imagery of Anvari's poetry, a meaningful connection in the axis of collocation and an intertwined network of the fusion of terms from the three sciences of astronomy, music, and medicine with expressive and rhetorical techniques can be observed.
خلاصه ماشینی:
This article, which is written using a statistical-descriptive method and library resources, endeavors to conduct a statistical analysis (frequency counting) of the terms of three sciences—astronomy, music, and medicine—in fifty-one odes (approximately one-fourth of all the odes in the Divan of Anvari, edited by Mohammad Taqi Modarres Razavi), in order to (by examining and analyzing the elements of this poet's knowledge-based imagery) address the aspects and dimensions of the integration of art and science.
In truth, with this design and trick, Anvari depicts astronomical elements as living and soulful entities; for example, in the first hemistich of the following verse, the poet depicts the planet Jupiter—which is also called Jupiter and برجیس (Burjis), is the fifth and largest planet in the solar system, and is the 'Sa'd al-Akbar' (Great Benefic) and "signifies goodness and inspiration to wisdom and greatness of spirit" (Biruni, 1384: 383)—in the direction of elevating the qualitative level and exaggeration in praise, and also creating an eloquent image through metonymic metaphor as a human being who prays for the strong fortune of Abu al-Ma'ali Majd al-Din bin Ahmad: بر طالع قویش دعاگوی مشتری بر طلعت شهیش ثناگستر آفتاب (Divan / 9) In the second hemistich of this same verse, the poet also depicts the sun, which is an astronomical phenomenon and in Persian poetry is the manifestation of power, greatness, beauty, brightness, height, wrath, determination, benefit, and speed (Mosaffa, 1388: 240), as a praising human being.
Based on this research, the terminology of the science of astronomy (with 1209 repetitions in 51 odes) has the highest frequency of presence in Anvari's imagery; the poet utilizes five literary devices to artistically reflect these elements in the creation of his poetic images: استعارة مکنیه , metaphor, simile, حسن تعلیل , and exaggeration.
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