چکیده:
Literary texts have long been the most important showcase for local vocabulary, idioms, proverbs, customs, traditions, beliefs, and regional ideologies; therefore, criticizing and examining indigenous and climatic elements in literary works plays a significant role in preserving and transferring these concepts to future generations. Although the use of indigenous elements in Iranian literary texts has ancient roots, the term "indigenous and climatic literature" entered literature in the late 19th century and has gained anthropological attention. The aim of this article is to conduct a comparative study of indigenous and climatic elements in the works of Houshang Moradi Kermani and Mohammad Bahman Beigi, both of whom have dedicated themselves to introducing and transferring the cultural heritage of their respective climates. Customs, beliefs, ideologies, and indigenous knowledge in the works of these two authors have been analyzed using a descriptive method. In addition to quantitative differences, in Bahman Beigi's works, such matters are consciously described in a chronicling manner with detailed accounts, whereas Houshang Moradi Kermani employs his traditional mind and language within the framework of storytelling to depict indigenous and climatic authenticity. The necessity and mission of such research is to identify, pay attention to, and introduce the folk culture of regions that have been less addressed or have received less attention.
خلاصه ماشینی:
A Comparative Study of Indigenous and Climatic Elements in the Works of Houshang Moradi Kermani and Mohammad Bahman-Beigi Asiyeh Faghih Parshokoohi Asghar Isapour Kehlaboni Abstract Literary texts have long been the most important showcase for local vocabulary, idioms, proverbs, customs, traditions, regional beliefs, and ideologies; therefore, criticizing and analyzing indigenous and climatic elements in literary works plays a significant role in preserving and transferring these concepts to future generations.
The aim of this article is to conduct a comparative study of indigenous and climatic elements in the works of Houshang Moradi Kermani and Mohammad Bahman-Beigi, both of whom have dedicated themselves to introducing and transferring the cultural heritage of their respective regions.
2- Problem Statement "In all cultures and literary encyclopedias, in the definition of regional fiction, emphasis is generally placed on the existence of common elements such as folk culture and beliefs, customs, traditions, and environmental and indigenous characteristics" (Gray, 2003: 472); for example, the following definition: "It is a story in which customs and traditions, local dialect and speech, clothing, folklore, and even the ways of thinking and feeling of the people of a region are often shown in its setting and context, in such a way that these elements are distinctive and characterize a specific climate" (Abrams, 1993: p 107).
A similar matter exists in the works of Moradi Kermani, with the difference that the people of Kerman perform 'Nazargiri' instead of 'Nazarbandi' to ward off the evil eye.
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