چکیده:
“Form” of a sentence is one of its syntactical features that is frequently used in eloquence and discourse analysis of literary and non-literary text. This significance is caused by this fact that “form” is the chart and scheme of communicational aspect (interactional/ interpersonal) in literature and clarifies the rate of certainty of author’s view and his/her relation with audience. Due to this، the form of sentence is one of most important subjects which will be discussed under the sections of predicate and composition. From 80th century in west that ideological and discourse analysis of literary (and non-literary) texts are paid due attention، modern critics emphasized that literature is non-personal and objective. They focused on the interactional function of language and considered form، the most important element in interactional function of language، worth investigating. We reviewed the condition of form of sentence in Tarikh-e Beyhaqi in limited and special manner (focusing on Zin and Saljuq/ Selçuk). Tarikh-e Beyhaqi is an artistic history that its author has a deliberate intention in keeping the mutual relation with his audience. In other hand، he had used the element of “Conversation” more than contemporary novelists. Due to this، the different forms of sentences have high frequency in his works. One can propose ideological and discourse analysis analyzing their qualities.
خلاصه ماشینی:
Research Method In this research, in a limited way, we examine the function of three non-declarative moods (imperative, interrogative, and emotional) and, in addition, the function of the "conditional" mood, which we believe has an important discursive function in Tarikh-i Bayhaqi.
It is only in the mystical story of Harun al-Rashid's meeting with Ibn al-Simak and Umayr that the direction of imperative sentences is reversed, where a subordinate gives orders to the Caliph and his minister or asks them questions: «And look in the mirror again so that you may see this beautiful face of your own and...
The indirect imperative refers to a verb that does not have a specific person or identifier, but is used to address a specific individual and, accompanied by the auxiliary verb "must" (bayad), conveys a command (13); such as the following sentences: «One must stop in bringing the high command, so that I may see the great Khwaja» (B: 205) (Bunasr Mishkan - Hajib of Khwaja Ahmad Hasan).
One of the functions of the indirect imperative with "bayad" is when a lower-ranking official speaks to their superior and wants to prompt them to do something without giving a direct command (number 7): «If his high opinion deems it so, my intercession in their matter must not be rejected» (Khwaja Ahmad - Amir Masud).
Discursive Function of the Descriptive Mood The use of the descriptive mood and sentences without verbs is among Bayhaqi's skillful techniques for creating a pause in the narration in order to depict the atmosphere of the story.
(
, 
, 
)
