چکیده:
"Morphology of the Folktale" by Vladimir Propp (Vladimir Propp), a Russian linguist, is a work from the modern era that has attracted the attention of scholars since its emergence. Although the position of this book has fluctuated in the shadow of formalism and structuralism, it was finally introduced as a work whose function is to move from formalism to structuralism. After examining a class of folk tales, under the title of fairy tales, Propp proposed this theory that tales have consistent forms, with recurring characters, and follow a fundamental primary plot. In this article, by emphasizing this approach, an attempt is made to set aside the atomistic view of literature and look at the structural aspects of epic poems with an inclusive and yet novel perspective, showing how the characteristics proposed by Propp are remarkably traceable, especially in the opening scenes of these poems and the introductory parts of the stories.
خلاصه ماشینی:
Analysis of the opening scene and the introductory section of epic poems: Banugoshasp Nameh, Barzunameh, Bahman Nameh, and Gereshasb Nameh, Based on Propp's Theory * Kazem Dezfulian, Masoumeh Talebi ** Mona Talashan *** Abstract Morphology of the Folktale, the work of Vladimir Propp, a Russian linguist, is a groundbreaking work that has attracted the attention of critics for many decades since its emergence.
In this article, relying on this approach, an attempt is made to set aside a microscopic view of literature and, with a comprehensive * and at the same time modern view, look at the overall structure of epic poems and show how the functions proposed by Propp can be remarkably traced, especially in the opening scenes of these poems and the introductory sections of the stories.
" (Khaleghi Motlagh 1388:29) Based on such reasons and the call to pay attention to these kinds of works, in this article, some tradition-breaking is performed, and the authors have chosen heroic poems after the Shahnameh, such as Bahman Nameh, Banu Goshسب Nameh, Barzun Nameh, and Gereshasb Nameh, as the materials for their research.
" (Propp 1386: thirteen) and since it is possible to examine narrative stories, the authors intend to analyze and examine the opening scenes of some heroic epics (Bahman-nameh, Barzun-nameh, Banu-Gushasp-nameh, Garshasp-nameh) based on Propp's ideas and theories, as well as the functions related to the introduction of the stories.
Since the tales examined by Propp are Indo-European tales and have the capacity for comparison and investigation in other stories as well, in this article, four epic poems (Banu-Gushasp-nameh, Bahman-nameh, Barzu-nameh, Garshasp-nameh) were scrutinized based on his theories.
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