چکیده:
To Use the element of fiction in small forms like quatrain is very difficult. However، among 2000 quatrains attributed to Mowlavi، 200 ones are of fictional form. It seems that the poet’s use of such a form was in line with his attempt to make complex mystical concepts understood by his general audience. Analysis of fictional structure of the quatrains could help explore mysteries in these poems and tackle their difficulties. This may result in directing more attentions to those poems of Mowlavi that have already been less studied. The poet as an antagonist in the quatrains tries to give a linguistic form to the mystically indescribable scene of his meeting with the Beloved. Hence، the first person point of view is used in most quatrains. The quatrains are something between poems and traditional narrations. Their analysis seems difficult because of their surreal mood. The present research focuses on the elements of fiction، including point of view، plot، dialogue، setting، and character development.
خلاصه ماشینی:
such as the ruba'i and dobayti forms in the realm of poetry" (Rezaei, 1388: 78) In Maulana's Ruba'iyat, there are ruba'is in which, in addition to the final punchline, elements such as point of view, plot, time and place, character, dialogue, atmosphere, etc.
Considering that "narrating in the present tense and minimal use of the first-person singular point of view" is among the common characteristics of minimalist stories, Molavi's ruba'is differ significantly from the structure of flash fiction in this regard.
For example, the following ruba'i is like this: I was drinking wine with a troubled mind My sleep was taken, the state of my heart untold I woke from a drunken sleep and saw The beloved has gone, the candle is dead, the cupbearer is asleep (Molavi, 1363: 269) Another point regarding the plot is the method of creating the climax in these ruba'is.
In Molavi's narrative ruba'is, dialogue is considered one of the main elements advancing the plot and even one of the primary factors in creating the climax.
Characterization The primary and predictable point in almost all of Molavi's narrative ruba'is is the simultaneous presence of the lover and the beloved as negative and positive characters.
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