چکیده:
This article consists of three sections. In the first section, while providing a short introduction to this discussion, we have addressed that many topics and concepts have been raised in Masnavi Ma'navi and Gita Bhashya, one of which is the station of submission. In this section, the author believes that the true status of humans in this world is to be submissive to the Truth. In the second section of the article, while expressing words about the nature of submission, different levels of submission in Masnavi and Gita Bhashya are described. The level of submission that is the result of asceticism and striving is the lower level of submission, while the higher level of submission is the result of the grace and mercy of the Truth. In the third section, the interpretation of the station of submission is addressed. It is stated in this section that the main purpose of Masnavi and Gita Bhashya in presenting the station of submission is to express the forgetting of planning and will and seeking refuge in the Truth; meaning that instead of relying on the complexity of philosophical thoughts and mental categories, humans must lovingly submit themselves to the Truth to achieve salvation sooner and more easily.
خلاصه ماشینی:
Religious symbols also hold a prominent place in Adonis's poetry; the myth of Imam Hussain(as) in the following poem reaches the peak of interpretation and imagery as a symbol of death.
The manifestation of this mystical symbolism, which is the myth of sorrow and uprising, is a subversive revolutionary explosion that is rooted in the poet's soul and is a story that has been imprinted on his subconscious since childhood; an internal and external revolution that from pure blood Philosophy also holds a special place in Adonis's poetry.
(Aswar 1381:115) In addition to these connotations, inspiration from the myth of death, life, drought, fertility, and other manifestations, which have materialized in the stories of Christ, the Phoenix, and their like, became widespread in the first one or two decades of modern poetry.
Ihsan Abbas (1920-2003), a Palestinian researcher and critic, considers the use of myth in contemporary Arabic poetry to be one of the most daring revolutionary approaches.
(Abbas 1978:127) One of the reasons for the tendency of contemporary Arab poets toward myth is the influence of Western poetry and literature.
Jabra Ibrahim Jabra (1920-1994) in 1957, by translating and publishing the Adonis (Tammuz) myth section of James Frazer's{P3P} The Golden Bough{P2P} (1854-1941), paved the way for young Arab poets to turn to myth.
The myth of Tammuz, which in the following poem is a symbol of resurrection and destiny, holds a special place in Adonis's poetry.
Among these poets, Adonis and Ahmad Shamloo have paid special attention to myths and legends in their poetry.
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