چکیده:
Neoclassicism is a type of return to the standards and manners of ancient writing and, despite differences in the content of works, is often oriented towards the same classical principles; Constitutional poetry in contrast to the poetry before it is Neoclassicism in contrast to Classicism. Imitation of nature, imitation of the ancients, following reason, conciseness and clarity, representation of truth, elegance, and the law of the three unities are the principles of the Neoclassicism school that can also be observed in the poems of the Constitutional period. Taqi Refat is one of the poets of this period whose few works have reached us, but even in these few works, the footprint of Neoclassicism can be observed.
خلاصه ماشینی:
Imitation of nature, imitation of the ancients, following reason, conciseness and clarity, realism, decorum, and the law of the three unities are the principles of the neoclassicism school that can also be observed in the poems of the Constitutional period.
But by examining his remaining works, it can be said that Rafat has a very great right over contemporary literature; because Rafat opened new paths in journalism, magazine writing, playwriting, poetry composition, and criticism, from which others benefited abundantly for years from his literary heritage.
In parallel with the transformation towards themes and quasi-modern contents, Constitutional poetry, in some poems of individuals such as Abolqasem Lahouti and Taqi Rafat, also experienced efforts to cross the boundaries of classical Persian poetry in terms of poetic form and structure.
) From the Constitutional era onwards, the issue of women emerged as an important objective topic for most poets and writers, and contemporary traditionalist poets of Persian literature, including Taqi Rafat, have made abundant references to this matter and adorned their poems with this sublime theme.
In one respect, those Persian poems that in this period Contemporary Persian Literature, Year Two, Number Two, Autumn and Winter 1391 were composed and have embedded lyrical themes into forms that do not conform to the prosodic system of classical Persian poetry, which is considered a result of the expansion of this tendency.
Contemporary Persian Literature, Year Two, Number Two, Autumn and Winter 1391 Rafat, Taqi (1299).
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