چکیده:
Dowlatabadi is undoubtedly one of the most prolific and hardworking writers of the last two decades in Iran. Before turning to novel writing and creating great works such as 'The Void Left by Salouch' and 'Kelidar', he wrote relatively long stories in which his inclination toward writing novels can also be seen. What has been written about his works so far is scarce and generally relates to the content of the stories and especially his novels. In this article, we have addressed the morphology of fourteen of his stories in aspects such as plot or storyline, point of view, narrator, characterization, beginning and end, etc. Before starting the discussion, we have also briefly referred to his life and works up to the year 1357 and then to the opinions of researchers regarding form and morphology.
خلاصه ماشینی:
Time Metaphor in Forugh Farrokhzad's Poetry from a Cognitive Linguistics Perspective Dr. Arsalan Golfam Assistant Professor of Linguistics, Tarbiat Modares University Dr. Aliyeh Kord Zafaranloo Kambuzia* Assistant Professor of Linguistics, Tarbiat Modares University Sima Hassandokht Firouz MA in Linguistics, Tarbiat Modares University Abstract {IBTime is an abstract concept and is always perceived through something tangible and concrete.
In the next step, the conventionality or novelty of these metaphors is examined, and it has been concluded that in Forugh's first three collections, namely Divar, Asir, and Esyan, conventional metaphors are more prominent; however, in her last two collections, Tavalodi Digar and Iman Biavarim be Aghaz-e Fasl-e Sard, conventional time metaphors expand and are accompanied by new characteristics, or even entirely new metaphors are created.
In example 15, the poet blends two conventional metaphors, "time as space" and "time as an object," creating an expanded metaphor that contains both concepts.
In example 25, the poet also employs the conventional metaphor "time as an object" and slightly expands this concept by mentioning physical characteristics such as whiteness and slipperiness, presenting it with more detail.
{She is a man from past centuries#/a reminder of the authenticity of beautyS}(Tavalodi Digar, Ma'shoughe Man) In this example too, centuries are perceived both as moving objects that have passed by the observer and as a stationary place or an enclosed space that someone can come out of.
In this metaphor, "time is perceived as a moving object"; however, the poet goes a step beyond this conventional metaphor and attributes the tangible characteristic of coldness to abstract time.
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